
{"id":17890,"date":"2025-10-22T16:05:27","date_gmt":"2025-10-22T14:05:27","guid":{"rendered":"https:\/\/u-paris.fr\/centre-politiques-terre\/?p=17890"},"modified":"2026-01-27T18:48:19","modified_gmt":"2026-01-27T17:48:19","slug":"expo-arts-sciences-panique-phreatique","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/centre-politiques-terre\/expo-arts-sciences-panique-phreatique\/","title":{"rendered":"EXPO ARTS-SCIENCES \u00ab PANIQUE PHREATIQUE ? \u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p>Le projet de recherche <strong>interdisciplinaire et participatif NAPALAIR<\/strong> est issu d\u2019une sollicitation des chercheurs de l\u2019<a href=\"https:\/\/atecopol.hypotheses.org\/\">Atelier d\u2019\u00c9cologie Politique de Toulouse<\/a> (<strong>At\u00e9copol<\/strong>) par le <a href=\"https:\/\/protection-nappe-ariege.org\/index.php\/accueil\">collectif APROVA<\/a> \u00e0 propos de l\u2019impact sur la nappe phr\u00e9atique de l\u2019activit\u00e9 de gravi\u00e8res. Cette exposition arts-sciences est n\u00e9e du projet <a href=\"https:\/\/u-paris.fr\/centre-politiques-terre\/napalair\/\">NAPALAIR<\/a> financ\u00e9 par le Centre des Politiques de la Terre.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/centre-politiques-terre\/wp-content\/uploads\/sites\/13\/2023\/09\/4096-2733-max.jpg\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text admin_label=\u00a0\u00bbTexte image\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; 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header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p>L\u2019exposition Arts-Sciences \u00ab<strong> Panique phr\u00e9atique ?<\/strong> \u00bb, qui a \u00e9t\u00e9 d\u00e9ploy\u00e9e en Ari\u00e8ge au printemps 2025, est une \u00e9manation directe du projet de recherche NAPALAIR.<br \/>L\u2019exposition se compose de 4 parties, proposant une promenade \u00e0 partir des mati\u00e8res, entit\u00e9s et ressources au c\u0153ur de la controverse : l\u2019<strong>Eau souterraine<\/strong>, les <strong>D\u00e9chets<\/strong>, les <strong>Granulats<\/strong> et le <strong>Territoire<\/strong> (cf. livret d\u2019exposition en t\u00e9l\u00e9chargement gratuit ci-dessous).<br \/>Elle avait vocation \u00e0 cr\u00e9er un cadre de dialogue afin de coconstruire des avenirs souhaitables pour ce territoire. Il s\u2019agit, par ces temps de discussion, de favoriser l\u2019intelligence collective, dans une d\u00e9marche de \u00ab science post-normale \u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>FRESQUE \u00ab Les gravi\u00e8res, ou l\u2019habitabilit\u00e9 en question \u00bb, F. Malenfer<\/h3>\n<blockquote>\n<p><a href=\"https:\/\/cloud.u-paris.fr\/s\/sWBXoGqaAm7rPWn\">Fresque r\u00e9alis\u00e9e par l\u2019artiste Fr\u00e9d\u00e9ric Malenfer, \u00e0 l\u2019encre de chine, 2025<\/a><\/p>\n<\/blockquote>\n<p>Comment repr\u00e9senter la controverse autour de l\u2019impact des gravi\u00e8res sur l\u2019eau souterraine en Basse-Ari\u00e8ge ? Le dessinateur Fr\u00e9d\u00e9ric Malenfer a ici tent\u00e9 de saisir et de repr\u00e9senter les \u00e9l\u00e9ments saillants qui sont en jeu : l\u2019extraction \u00e0 l\u2019\u0153uvre, les transformations du paysage, les pr\u00e9occupations autour de la nappe phr\u00e9atique, les dispositifs de concertation, la vuln\u00e9rabilit\u00e9 des plans d\u2019eau, les mobilisations citoyennes, les sols remblay\u00e9s, l\u2019enqu\u00eate scientifique, le devenir du territoire\u2026<br \/>Au dessin, s\u2019ajoutent des paroles d\u2019acteurs et d\u2019actrices de la controverse, qui traduisent la pluralit\u00e9 des positions et refl\u00e8tent la complexit\u00e9 des enjeux entrem\u00eal\u00e9s.<br \/><strong>En cliquant sur les bulles de texte de la fresque, vous acc\u00e9dez \u00e0 des pastilles sonores<\/strong> cr\u00e9\u00e9es \u00e0 partir des entretiens men\u00e9s par l\u2019\u00e9quipe scientifique du projet NAPALAIR entre mai et juillet 2024.<br \/>Captation : Muriel Dutrait.<br \/>Montage et r\u00e9alisation : l&rsquo;Association Vaur\u00e9enne d&rsquo;Animation Audiovisuelle (l\u2019AVAA), radio R d&rsquo;Autan.<\/p>\n<h3>Livret d&rsquo;exposition<\/h3>\n<blockquote>\n<p><a href=\"https:\/\/cloud.u-paris.fr\/s\/A2P3CFT5qFFPPjC\">Ce livre reprend l\u2019int\u00e9gralit\u00e9 du contenu des panneaux de l\u2019exposition : mati\u00e8re textuelle et iconographique.<\/a><\/p>\n<\/blockquote>\n<p>Livret r\u00e9alis\u00e9 par l\u2019atelier Nico Froment, de l\u2019atelier Cart\u2019 Blanch\u2019, 2025.<br \/>Il est disponible en version couleurs HD (35 Mo) pour consultation digitale.<br \/>Il est aussi disponible en version N&amp;B (15 Mo), pour impression.<\/p>\n<h3>Video \u00ab AQUIFERE_946AG \u00bb<\/h3>\n<p><iframe loading=\"lazy\" title=\"Aquif\u00e8re_946AG\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/tgKg_pfgYUs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em>Mayeul\u00b7e Toulemonde<\/em><br \/><em>Aquif\u00e8re_946AG, 2025.<\/em><br \/><em>Vid\u00e9oprojection, dimensions variables.<\/em><br \/><em>Production originale pour l&rsquo;exposition arts-sciences Panique Phr\u00e9atique ?<\/em><\/p>\n<p><strong>Mastodonte<\/strong> sous terre, entit\u00e9 d&rsquo;une dimension bien au-del\u00e0 de nos perceptions humaines, l&rsquo;aquif\u00e8re 946AG se manifeste \u00e0 nous morcel\u00e9, par bribes locales. Les activistes d\u00e9plorent les incisions dans le sol r\u00e9alis\u00e9es par les gravi\u00e8res, comme une plaie saignant la Terre. L&rsquo;\u00e9quipe scientifique analyse une base de donn\u00e9es num\u00e9riques subtiles et interpr\u00e9tables. Dans une <strong>perspective techno-animiste<\/strong>, Mayeul\u00b7e Toulemonde s&rsquo;int\u00e9resse \u00e0 t\u00e9moigner de <strong>l&rsquo;ambivalence sensible<\/strong> des appareils technologiques qui \u2013 pour le meilleur comme pour le pire \u2013 nous assistent dans la compr\u00e9hension de ces r\u00e9alit\u00e9s \u00e0 dimension \u00e9lev\u00e9e. En utilisant principalement le logiciel Touch Designer, iel a pu convertir un maximum de donn\u00e9es autour de l&rsquo;aquif\u00e8re afin de repr\u00e9senter cette<strong> vie extra-dimensionnelle<\/strong> : mod\u00e9lisation 3D gr\u00e2ce au d\u00e9coupage cartographique de l&rsquo;entit\u00e9 et au mod\u00e8le d&rsquo;\u00e9l\u00e9vation digital local, dessin anim\u00e9 de l&rsquo;\u00e9volution des gravi\u00e8res visible depuis le timelapse Google Earth de la zone de Saverdun, et travail sonore r\u00e9alis\u00e9 en convertissant les graphiques des <strong>relev\u00e9s pi\u00e9zom\u00e9triques<\/strong> de cette m\u00eame zone en ondes sonores.<\/p>\n<h3>VIDEO \u00ab AQUIFERE \u00bb, performance de Zelif<\/h3>\n<p><iframe loading=\"lazy\" title=\"AQUIFERE\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/ZW5ZMQiItvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em>Vid\u00e9o r\u00e9alis\u00e9e par R. della Torre et Mayeul.e Toulemonde, mont\u00e9e par Mayeul.e Toulemonde. Elle documente la performance de l\u2019artiste Z\u00e9lif, r\u00e9alis\u00e9e \u00e0 Foix le 3 mai 2025.<\/em><br \/><em>Cr\u00e9ature, 2025.<\/em><br \/><em>Mat\u00e9riaux issus de r\u00e9cup\u00e9ration et seconde main, hormis le tissus principal (coton anthracite). Tissus coton, tissus en fibres synth\u00e9tiques, fil polyester, perles de verre, de bois et de plastique, argile, charbon du bois de Mouillet, pl\u00e2tre p\u00e9rim\u00e9 du fond du garage, eau du puits du Douctouyre, ocre naturel, acrylique dor\u00e9 (infime, pour l\u2019or de l\u2019Ari\u00e8ge), caf\u00e9 infus\u00e9, pierre trou\u00e9e de Vend\u00e9e, bois flott\u00e9 de la Frau, b\u00e9ton cellulaire \u00e9cras\u00e9, colle, poussi\u00e8re, musique, tendresse, larmes, nuits.<\/em><br \/><em>Cr\u00e9ation originale pour l&rsquo;exposition arts-sciences Panique Phr\u00e9atique ?, dans le cadre du Master \u00ab Th\u00e9\u00e2tre Appliqu\u00e9 \u00bb, Universit\u00e9 Toulouse Jean Jaur\u00e8s \/ Campus de Foix. Recherche cr\u00e9ation appliqu\u00e9e \u00e0 la m\u00e9diation scientifique.<\/em><br \/><strong><em>&#8211; Tu n\u2019as ni voix, ni nom, ni histoire, pourtant, nous te cherchons d\u00e9sesp\u00e9r\u00e9ment.<\/em> <em>Tu es la seule, \u00e0 ce jour, \u00e0 repr\u00e9senter cette entit\u00e9 que personne ne saurait saisir totalement. &#8211;<\/em><\/strong><\/p>\n<p>\u00catre fantastique, monstre mystique, cr\u00e9ature mythologique, animal l\u00e9gendaire, b\u00eate imaginaire, esprit d\u2019un \u00e9l\u00e9ment, d\u2019un lieu, d\u2019un objet, d\u2019un jour sacr\u00e9 ou d\u2019une f\u00eate pa\u00efenne\u2026 toutes les cultures grouillent de ces pr\u00e9sences oniriques qui mettent du sens dans ce qui nous compose et nous environne. Danseuse et com\u00e9dienne, Zelif part \u00e0 la recherche d\u2019une expression vivante de l\u2019aquif\u00e8re : comment repr\u00e9senter l\u2019invisible ? Au fil des avanc\u00e9es scientifiques de Napalair, et de l\u2019exploration des repr\u00e9sentations du non-vivant, s\u2019est imagin\u00e9e une \u00e9manation de l\u2019aquif\u00e8re. Pr\u00e9vue pour \u00eatre un costume, cette Cr\u00e9ature est finalement devenue une partenaire de jeu, le temps d\u2019une rencontre au bord de l\u2019Ari\u00e8ge (performance dans la ville). Le travail d\u2019art du spectacle prend parfois des tournures inattendues, et l\u00e0 o\u00f9 l\u2019incarnation du personnage semblait \u00eatre au c\u0153ur du projet, il s\u2019est av\u00e9r\u00e9 plus pertinent de faire de cet \u00eatre un complice ouvrant au dialogue. De partir \u00e0 la rencontre de cet \u00eatre perdu \u00e0 la surface, t\u00e9moin d\u2019un souterrain malmen\u00e9 par l\u2019activit\u00e9 humaine.<\/p>\n<h3>Lettres et dessins<\/h3>\n<blockquote>\n<p><a href=\"https:\/\/cloud.u-paris.fr\/s\/JsXSomjTP344ix2\">Voir les lettres et dessins<\/a><\/p>\n<\/blockquote>\n<p>En application de l\u2019adage selon lequel \u00ab<strong> On ne peut pas d\u00e9fendre ce que l\u2019on ne sait pas nommer<\/strong> \u00bb, l\u2019\u00e9quipe du projet NAPALAIR a travaill\u00e9 pendant un semestre avec une classe de CE1-CE2 de l\u2019\u00e9cole primaire Henri Cazal\u00e9 de Pamiers, sous la houlette de l\u2019institutrice C\u00e9lia Chaubet, pour produire des dessins et des noms de nappe.<br \/>En compl\u00e9ment, et dans le sillage d\u2019une initiative de l\u2019enqu\u00eatrice Sophie Birman, les visiteurs et visiteuses de l\u2019exposition ont \u00e9t\u00e9 invit\u00e9.es \u00e0 r\u00e9diger des \u00ab lettres \u00e0 la nappe \u00bb.<\/p>\n<h3>Plus de ressources<\/h3>\n<blockquote>\n<p><a href=\"https:\/\/cloud.u-paris.fr\/s\/rZXtxRmoJLQsbdd\">Pour consulter le reste des ressources<\/a><\/p>\n<\/blockquote>\n<p>Nous avons aussi organis\u00e9 une multitude d\u2019ateliers, conf\u00e9rences, projections et d\u00e9bats afin d\u2018\u00e9changer au sujet du contenu de l\u2019exposition, discuter de l\u2019avenir du territoire et participer \u00e0 l\u2019\u00e9laboration de futurs souhaitables : performance artistique hors les murs de la com\u00e9dienne et danseuse Zelif ; vernissage \u00e0 Foix, ateliers \u00ab Dessine et nomme ta nappe \u00bb (Eug\u00e9nie Hoff, ISDAT) ; atelier images satellite &#8211; partie 1\/introduction (Odin Marc, CNRS) ; projection d\u00e9bat \u00ab\u00a0Des ricochets en eau douce\u00a0\u00bb ; atelier Fresque du Sol (Priscia Oliva, UT3) ; vernissage \u00e0 Saverdun ; conf\u00e9rence \u00ab\u00a0Cycle de l&rsquo;eau\u00a0\u00bb (Simon Munnier, M\u00e9t\u00e9o France) ; projection-d\u00e9bat : \u00ab Des cailloux dans la chaussure \u00bb (M. Damperon, 2023) + \u00ab Ricochets en eau douce \u00bb (R. della Torre, 2025) ; atelier \u00ab Dessine et nomme ta nappe \u00bb (Eug\u00e9nie Hoff, ISDAT) ; conf\u00e9rence D\u00e9chets Inertes (Chlo\u00e9 Maisano &amp; Estelle Guille, ORDECO) ; conf\u00e9rence Instituts EcoCitoyens (Philippe Chamaret (Fos sur Mer), Viviane Thivent (Aude), Vanessa L\u00e9a (UT2, ZA PYGAR) et L\u00e9a S\u00e9bastien (UT2)) ; atelier images satellite &#8211; partie 2\/pratique (Odin Marc, CNRS) ; atelier \u00ab\u00a0Fresque du sol\u00a0\u00bb (Priscia Oliva, UT3) ; conf\u00e9rence \u00ab\u00a0bonnes pratiques de l&rsquo;eau\u00a0\u00bb (Beno\u00eet Wibaux) ; conf\u00e9rence Instituts EcoCitoyens (Instituts Eco-citoyens de Fos-sur-mer et Aude).<\/p>\n<p>&nbsp;<\/p>\n<h3>Cr\u00e9dits<\/h3>\n<p>Les personnes suivantes ont contribu\u00e9 \u00e0 la r\u00e9alisation de cette exposition :<br \/>Astrid Avellan (chercheuse), Carine Baritaud (ressources humaines), Emmanuel Berro (\u00e9tudiant\/enqu\u00eates), Sophie Birman (\u00e9tudiante\/enqu\u00eates), Guillaume Blanc (partenaire associatif), Matthieu Blanc (ing\u00e9nieur), Nicolas Blin (voix), Lorette Breban (administration), Th\u00e9o Canto (informaticien), Pascal Castello (voix), J\u00e9r\u00e9mie Cav\u00e9 (chercheur), Alix Cheney (\u00e9tudiante, coordination), Fr\u00e9d\u00e9ric Christophoul (chercheur), Anne-Marie Cousin (graphiste), Raymond Cubells (voix), Antonin Dur\u00e9cu (voix), Muriel Dutrait (\u00e9tudiante\/enqu\u00eates et coordinatrice), Arlette Fourtan\u00e9 (voix), Nico Froment (graphiste), Magali G\u00e9rino (\u00e9cologue), Emma Gu\u00e9rard (\u00e9tudiante\/enqu\u00eates), H\u00e9l\u00e8ne Gu\u00e9tat-Bernard (chercheuse), \u00c9melyne Guyondet (gestionnaire), Aim\u00e9e Herfeld (construction sc\u00e9nographie), L\u00e9a Hobson (sc\u00e9nographe), Eug\u00e9nie Hoff (\u00e9tudiante aux Beaux Arts), Claire Kachkouch Soussi et l\u2019\u00e9quipe de R d\u2019Autan, Sylvain Kuppel (chercheur), David Labat (hydrog\u00e9ologue), Magali Labro (voix), Laure Laffont (chercheuse), Morgane Lasbleis (\u00e9tudiante\/enqu\u00eates), Fr\u00e9d\u00e9ric Malenfer (dessinateur), Laurence Marlats (administration), Sabine M\u00e9lezan (gestionnaire), Isabelle Mojica (voix), Margot Mu\u00f1oz (relectrice), Dominique Tarisse (gestionnaire), Charlie Marquis (partenariats), Audrey Richard-Ferroudji (tiers-veilleuse), L\u00e9a S\u00e9bastien (chercheuse), Jean-Marc et L\u00e9a Saunal (voix), Mayeul\u00b7e Toulemonde (vid\u00e9aste), Zelif \/ Oriane Laffitte (artiste \u00e9tudiante en recherche cr\u00e9ation appliqu\u00e9e).<\/p>\n<h4>Financements &amp; soutiens<\/h4>\n<p>Nous remercions \u00e9galement les diff\u00e9rents soutiens que nous avons re\u00e7u de la part de :<\/p>\n<ul>\n<li>Cr\u00e9dits IdEx 2022-2024 allou\u00e9s au Centre des Politiques de la Terre en vue du financement de projets s\u00e9lectionn\u00e9s par l\u2019appel \u00e0 projets 2023 \u2013 \u00ab Habiter au c\u0153ur des limites plan\u00e9taires \u00bb \/ soutien de l\u2019op\u00e9ration au titre des Investissements d\u2019Avenir (r\u00e9f\u00e9rence ANR-18-IDEX-0001).<\/li>\n<li>Labellisation et soutien financier de la Zone Atelier Pyr\u00e9n\u00e9es Garonne (PYGAR) LTSER France, 31320 Auzeville-Tolosane, France<\/li>\n<li>Soutien de la R\u00e9gion Occitanie dans le cadre du :\n<ul>\n<li>D\u00e9fi Cl\u00e9 \u00c9conomie circulaire \u2013 Circulades.<\/li>\n<li>D\u00e9fi Cl\u00e9 Observation de la Terre et territoires en Transition (O3T).<\/li>\n<\/ul>\n<\/li>\n<li>Soutien de l\u2019Axe Scientifique Transverse \u00ab\u00a0Eau continentale\u00a0\u00bb de l&rsquo;Observatoire Midi-Pyr\u00e9n\u00e9es (OMP).<\/li>\n<li>Soutien de la Mission M\u00e9diation scientifique de l\u2019Institut de Recherche pour le D\u00e9veloppement (IRD).<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; 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Nous avons donc r\u00e9employ\u00e9 autant que faire se peut des mat\u00e9riaux usag\u00e9s. Et nous remercions chaleureusement le r\u00e9seau des ressourceries ari\u00e9geoises pour le pr\u00eat de mat\u00e9riel, et en particulier\u00a0:<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/centre-politiques-terre\/wp-content\/uploads\/sites\/13\/2025\/10\/Capture-d\u2019e\u0301cran-2025-10-22-a\u0300-17.59.28.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text admin_label=\u00a0\u00bbTexte image\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> (re)lire<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb100,97&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; 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\/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Le projet de recherche interdisciplinaire et participatif NAPALAIR est issu d\u2019une sollicitation des chercheurs de l\u2019Atelier d\u2019\u00c9cologie Politique de Toulouse (At\u00e9copol) par le collectif APROVA \u00e0 propos de l\u2019impact sur la nappe phr\u00e9atique de l\u2019activit\u00e9 de gravi\u00e8res. Cette exposition arts-sciences est n\u00e9e du projet NAPALAIR financ\u00e9 par le Centre des Politiques de la Terre.&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/centre-politiques-terre\/expo-arts-sciences-panique-phreatique\/\">Lire la suite<span> EXPO ARTS-SCIENCES \u00ab PANIQUE PHREATIQUE ? \u00bb<\/span><\/a><\/p>\n","protected":false},"author":623,"featured_media":17767,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"coauthors":[136],"class_list":["post-17890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-centre-des-politiques-de-la-terre"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/posts\/17890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/users\/623"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/comments?post=17890"}],"version-history":[{"count":13,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/posts\/17890\/revisions"}],"predecessor-version":[{"id":17973,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/posts\/17890\/revisions\/17973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/media\/17767"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/media?parent=17890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/categories?post=17890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/tags?post=17890"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/centre-politiques-terre\/wp-json\/wp\/v2\/coauthors?post=17890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}