
{"id":406,"date":"2020-04-03T14:08:31","date_gmt":"2020-04-03T12:08:31","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?page_id=406"},"modified":"2025-10-31T14:20:46","modified_gmt":"2025-10-31T13:20:46","slug":"revue-et-cahier-textuel","status":"publish","type":"page","link":"https:\/\/u-paris.fr\/cerilac\/revue-et-cahier-textuel\/","title":{"rendered":"Revue et cahier Textuel"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.22&Prime; next_background_color=\u00a0\u00bb#000000&Prime;][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_post_title admin_label=\u00a0\u00bbTitre de la page\u00a0\u00bb meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime;]<\/p>\n<p>[\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime;][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/03\/Textuel-169.png\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; 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header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p><strong>La revue\u00a0<em>Textuel<\/em>\u00a0et les\u00a0<em>Cahier Textuel<\/em>\u00a0sont deux publications p\u00e9riodiques de l\u2019UFR de Lettres, arts et cin\u00e9ma<\/strong><\/p>\n<p>La revue est fond\u00e9e en 1976 sous le nom de\u00a0<em>34\/44<\/em>, d\u2019apr\u00e8s la localisation de l\u2019UER Sciences des textes et documents sur le campus de Jussieu. La directrice de publication est Julia Kristeva. La moiti\u00e9 du comit\u00e9 de r\u00e9daction est compos\u00e9e d\u2019\u00e9tudiants\u00a0; ceux-ci prennent enti\u00e8rement en charge le secr\u00e9tariat de r\u00e9daction. La revue r\u00e9serve aussi une place importante \u00e0 leurs travaux.<\/p>\n<p>En 1984, la revue prend le nom de\u00a0<em>Textuel<\/em>, inspir\u00e9 du nom de l\u2019UER. Un an plus tard, sont cr\u00e9\u00e9s les\u00a0<em>Cahier Textuel<\/em>, consacr\u00e9s \u00e0 une \u0153uvre litt\u00e9raire mise au programme de l\u2019agr\u00e9gation de lettres modernes et, par la suite, des concours d\u2019entr\u00e9e aux \u00c9coles normales sup\u00e9rieures. Revue et cahier sont successivement dirig\u00e9s par Julia Kristeva, Jos\u00e9-Luis Diaz, \u00c9ric Marty et Carine Trevisan.<\/p>\n<p><em>Textuel<\/em>\u00a0publie chaque ann\u00e9e un ou plusieurs num\u00e9ros \u00e0 th\u00e8me traitant d\u2019une question th\u00e9orique ou d\u2019esth\u00e9tique litt\u00e9raire\u00a0:\u00a0<em>Dire, voir, \u00e9crire\u00a0: le texte et l\u2019image<\/em>\u00a0(n\u00b0\u00a06, 1979)\u00a0;\u00a0<em>Noms propres<\/em>\u00a0(n\u00b0\u00a07, 1980)\u00a0;\u00a0<em>Dire la crise\/Penser la crise<\/em>\u00a0(n\u00b0 19, 1986)\u00a0;\u00a0<em>Images de l\u2019\u00e9crivain<\/em>\u00a0(n\u00b0 22, 1989)\u2026 Les\u00a0<em>Cahier Textuel<\/em>\u00a0recueillent des \u00e9tudes monographiques consacr\u00e9es \u00e0 une \u0153uvre litt\u00e9raire mise au programme des concours \u2014 Les\u00a0<em>Hymnes<\/em>\u00a0de Ronsard (n\u00b0 1, 1985)\u00a0;\u00a0<em>Lire Maurice Sc\u00e8ve<\/em>\u00a0(n\u00b0 3, 1987) \u2014 ou objet d\u2019un s\u00e9minaire de recherche\u00a0:\u00a0<em>L\u2019Appropriation de l\u2019oral, de Sumer \u00e0 Lacan<\/em>\u00a0(n\u00b0 7, 1989)\u2026<\/p>\n<p>La coordination des num\u00e9ros est confi\u00e9e aux diff\u00e9rentes \u00e9quipes de recherche, ce qui permet \u00e0 ces deux publications compl\u00e9mentaires de repr\u00e9senter dans sa diversit\u00e9 l\u2019activit\u00e9 de l\u2019UFR.<\/p>\n<p>Malgr\u00e9 une diffusion modeste,\u00a0<em>Textuel<\/em>\u00a0et les\u00a0<em>Cahier Textuel<\/em>\u00a0accueillent des contributions sign\u00e9es de grands noms de la critique et de la th\u00e9orie litt\u00e9raires, et plus g\u00e9n\u00e9ralement des sciences humaines.<\/p>\n<p>En 2014,\u00a0<em>Textuel<\/em>\u00a0change de formule, sous la direction de Laurent Zimmermann. Tout en restant la revue de l\u2019UFR Lettres, arts, cin\u00e9ma, elle est d\u00e9sormais prise en charge par les \u00e9ditions Hermann. La revue publie un num\u00e9ro par an, compos\u00e9 de trois rubriques : un grand entretien, un bref cahier de\u00a0\u00ab\u00a0Travaux en cours\u00a0\u00bb ; entre les deux, un dossier con\u00e7u pour transmettre non seulement aux sp\u00e9cialistes mais aussi au grand public cultiv\u00e9 les questionnements qui sont ceux de la recherche en litt\u00e9rature ou en esth\u00e9tique aujourd\u2019hui\u00a0:\u00a0<em>L\u2019Anticipation<\/em>\u00a0(nouvelle s\u00e9rie n\u00b0\u00a01, 2014),\u00a0<em>Pornographiques<\/em>\u00a0(n\u00b0 2, 2015),\u00a0<em>Que reste-t-il de la beaut\u00e9\u00a0?<\/em>\u00a0(n\u00b0 3, 2016)\u2026<\/p>\n<p>En m\u00eame temps que la revue continuent \u00e0 para\u00eetre les\u00a0<em>Cahier Textuel<\/em>, issus de colloques importants, de journ\u00e9es d\u2019\u00e9tudes li\u00e9es aux concours ou encore de projets sp\u00e9cifiques des chercheurs de l\u2019UFR :\u00a0<em>Dans la solitude de Bernard-Marie Kolt\u00e8s<\/em>\u00a0(2014)\u00a0;\u00a0<em>Critique et violence<\/em>\u00a0(2014)\u00a0;\u00a0<em>Manoel de Oliveira. L&rsquo;invention cin\u00e9matographique \u00e0 l&rsquo;\u00e9preuve de la litt\u00e9rature<\/em>\u00a0(2015)\u2026<\/p>\n<p>\u00ab<strong>\u00a0<\/strong>Il s\u2019agissait de commencer. Il s\u2019agit de continuer \u00bb (<em>34\/44<\/em>, n\u00b0 1, 1976).\u00a0<em>Textuel<\/em>\u00a0continue avec une nouvelle \u00e9quipe de direction compos\u00e9e de Sylvie Patron, H\u00e9l\u00e8ne Baty-Delalande et Yannick S\u00e9it\u00e9, et assist\u00e9e d\u2019un comit\u00e9 de r\u00e9daction et d\u2019un comit\u00e9 scientifique renouvel\u00e9s.<\/p>\n<div>\n<p>Cette collection devenue introuvable est d\u00e9sormais en ligne, librement accessible, sur le portail de r\u00e9f\u00e9rence en sciences humaines, <i>Pers\u00e9e<\/i> :\u00a0<\/p>\n<p><a href=\"https:\/\/www.persee.fr\/collection\/textu\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.persee.fr\/collection\/textu<\/a><\/p>\n<\/div>\n<div>\n<div>\u00a0<b>Le portail Pers\u00e9e<\/b><\/div>\n<div>\u00a0<\/div>\n<div>Persee.fr est un portail de diffusion de publications scientifiques, principalement dans le domaine des sciences humaines et sociales, mais aussi des sciences de la Terre et de l\u2019environnement. Son positionnement est original, car il assure la diffusion de collections patrimoniales (le plus ancien document diffuse\u0301 date de 1840) et il propose des outils d\u2019exploitation similaires a\u0300 ceux pr\u00e9sents sur les portails d\u2019\u00e9dition courante (indexation au niveau de l\u2019article, plan des documents, exports des r\u00e9f\u00e9rences bibliographiques, format d\u00e9tachable, r\u00e9f\u00e9rencement croise\u0301, etc.). Ouvert en 2005, persee.fr diffuse actuellement pr\u00e8s de 400 collections, soit plus d\u2019un million de documents en texte int\u00e9gral et en libre acc\u00e8s. Le portail accueille en moyenne 30 millions de visites par an.<\/div>\n<div>\u00a0<\/div>\n<div>Le portail Pers\u00e9e (www.persee.fr) est une initiative publique, con\u00e7ue, d\u00e9velopp\u00e9e et maintenue par l\u2019UAR 3602 Pers\u00e9e. C\u2019est un service de l\u2019Universit\u00e9 de Lyon, du CNRS et de l\u2019ENS de Lyon qui b\u00e9n\u00e9ficie du soutien du Minist\u00e8re de l\u2019\u00c9ducation Nationale et de l\u2019Enseignement Sup\u00e9rieur et de la Recherche. Pers\u00e9e publie aujourd\u2019hui les collections d\u2019une cinquantaine d\u2019universit\u00e9s, d\u2019une vingtaine d\u2019\u00e9diteurs priv\u00e9s et d\u2019une soixantaine de soci\u00e9t\u00e9s savantes.<\/div>\n<div>\u00a0<\/div>\n<div>La publication de la collection\u00a0<i>Textuel<\/i>\u00a0sur Pers\u00e9e est une tr\u00e8s grande chance\u00a0: elle offre des garanties de scientificit\u00e9, de p\u00e9rennit\u00e9, d\u2019accessibilit\u00e9 et de visibilit\u00e9 sans \u00e9gales.<\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<b>Des engagements financiers et humains importants<\/b><\/div>\n<div>\u00a0<\/div>\n<p>La candidature pour int\u00e9grer le portail <i>Pers\u00e9e<\/i> a \u00e9t\u00e9 pr\u00e9par\u00e9e par une premi\u00e8re phase de num\u00e9risation. Un appel \u00e0 projets interne \u00e0 l\u2019universit\u00e9 Paris-Diderot obtenu en 2018 (Action de recherche structurante) a permis de financer la num\u00e9risation (scan) de la collection par l\u2019entreprise Arkh\u00e9num.<\/p>\n<p>Le projet de num\u00e9risation de\u00a0<i>Textuel\u00a0<\/i>et le dossier de candidature pour int\u00e9grer le portail <i>Pers\u00e9e<\/i> ont \u00e9t\u00e9 port\u00e9s par Olivier Ritz, ma\u00eetre de conf\u00e9rences au laboratoire CERILAC. Il s\u2019est occup\u00e9 de reconstituer la collection et de pr\u00e9parer son acheminement avec l\u2019aide de Sylvie Patron et de Yannick S\u00e9it\u00e9, enseignants-chercheurs \u00e0 l\u2019UFR LAC.<\/p>\n<p>Les salari\u00e9s de Pers\u00e9e ont travaill\u00e9 pendant plusieurs mois pour traiter les 19 500 pages num\u00e9ris\u00e9es et pr\u00e9parer leur mise en ligne.<\/p>\n<p>Le directeur du CERILAC, Dominique Rabat\u00e9, et sa responsable administrative, Audrey Coulomp, ont contribu\u00e9 \u00e0 l\u2019aboutissement du processus administratif. Olivier Ritz s\u2019est occup\u00e9 de la validation \u00e9ditoriale des donn\u00e9es num\u00e9ris\u00e9es par les \u00e9quipes de <i>Pers\u00e9e<\/i> et des demandes d\u2019autorisation de publication avec l\u2019aide de Sarah Kouchit, stagiaire au CERILAC.<\/p>\n<\/div>\n<p>[\/et_pb_text][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p>[\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h3>Organigramme<\/h3>\n<div>Direction, Comit\u00e9 de r\u00e9daction et Comit\u00e9 scientifique international de la Revue et des Cahiers<\/div>\n<p>[\/et_pb_text][et_pb_button admin_label=\u00a0\u00bbbouton &#8211; 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header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime;]<\/p>\n<h3>Derniers num\u00e9ros<\/h3>\n<p>Pr\u00e9sentation des num\u00e9ros parus depuis 2021.<\/p>\n<p>[\/et_pb_text][et_pb_button admin_label=\u00a0\u00bbbouton &#8211; \u00a0\u00bb button_url=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/textuel-les-derniers-numeros\/\u00a0\u00bb button_text=\u00a0\u00bbLire la suite\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#8a1538&Prime; button_border_width=\u00a0\u00bb2&Prime; button_border_color=\u00a0\u00bb#8a1538&Prime; button_border_radius=\u00a0\u00bb26&Prime; button_icon=\u00a0\u00bb%%20%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; custom_css_after=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb background_layout__hover_enabled=\u00a0\u00bbon\u00a0\u00bb background_layout__hover=\u00a0\u00bblight\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#ffffff\u00a0\u00bb button_icon_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_icon_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_text_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb custom_css_after__hover_enabled=\u00a0\u00bbon\u00a0\u00bb custom_css_after__hover=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb button_text_shadow_horizontal_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_vertical_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_blur_strength=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime;]<\/p>\n<p>[\/et_pb_button][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb56px|||||\u00a0\u00bb min_height=\u00a0\u00bb44px\u00a0\u00bb]<\/p>\n<p>[\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h3>Articles en ligne<\/h3>\n<p>Acc\u00e8s aux articles en ligne de la Revue et des Cahiers.<\/p>\n<p>[\/et_pb_text][et_pb_button admin_label=\u00a0\u00bbbouton &#8211;\u00a0\u00bb button_url=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/?page_id=753&Prime; button_text=\u00a0\u00bbLire la suite\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#8a1538&Prime; button_border_width=\u00a0\u00bb2&Prime; button_border_color=\u00a0\u00bb#8a1538&Prime; button_border_radius=\u00a0\u00bb26&Prime; button_icon=\u00a0\u00bb%%20%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; custom_css_after=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb background_layout__hover_enabled=\u00a0\u00bbon\u00a0\u00bb background_layout__hover=\u00a0\u00bblight\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#ffffff\u00a0\u00bb button_icon_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_icon_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_text_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb custom_css_after__hover_enabled=\u00a0\u00bbon\u00a0\u00bb custom_css_after__hover=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb]<\/p>\n<p>[\/et_pb_button][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb32px|||||\u00a0\u00bb]<\/p>\n<p>[\/et_pb_divider][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime;]<\/p>\n<h3>Anciennes parutions<\/h3>\n<p>Pr\u00e9sentation des num\u00e9ros parus entre 2019 et 2021.<\/p>\n<p>[\/et_pb_text][et_pb_button admin_label=\u00a0\u00bbbouton &#8211;\u00a0\u00bb button_text=\u00a0\u00bbLire la suite\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#8a1538&Prime; button_border_width=\u00a0\u00bb2&Prime; button_border_color=\u00a0\u00bb#8a1538&Prime; button_border_radius=\u00a0\u00bb26&Prime; button_icon=\u00a0\u00bb%%20%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; custom_css_after=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb background_layout__hover_enabled=\u00a0\u00bbon\u00a0\u00bb background_layout__hover=\u00a0\u00bblight\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#ffffff\u00a0\u00bb button_icon_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_icon_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_text_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb custom_css_after__hover_enabled=\u00a0\u00bbon\u00a0\u00bb custom_css_after__hover=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb button_text_shadow_horizontal_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_vertical_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_blur_strength=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_url=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/cahier-textuel-anciennes-parutions\/\u00a0\u00bb]<\/p>\n<p>[\/et_pb_button][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb32px|||||\u00a0\u00bb]<\/p>\n<p>[\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.22&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime;][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime; header_level=\u00a0\u00bbh4&Prime; border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb]<\/p>\n<p>[\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La revue\u00a0Textuel\u00a0et les\u00a0Cahier Textuel\u00a0sont deux publications p\u00e9riodiques de l\u2019UFR de Lettres, arts et cin\u00e9ma La revue est fond\u00e9e en 1976 sous le nom de\u00a034\/44, d\u2019apr\u00e8s la localisation de l\u2019UER Sciences des textes et documents sur le campus de Jussieu. La directrice de publication est Julia Kristeva. La moiti\u00e9 du comit\u00e9 de r\u00e9daction est compos\u00e9e d\u2019\u00e9tudiants\u00a0;&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/revue-et-cahier-textuel\/\">Lire la suite<span> Revue et cahier Textuel<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"coauthors":[9],"class_list":["post-406","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":18,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":6363,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/406\/revisions\/6363"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=406"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}