
{"id":772,"date":"2020-06-10T10:56:37","date_gmt":"2020-06-10T08:56:37","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?page_id=772"},"modified":"2025-03-05T10:03:18","modified_gmt":"2025-03-05T09:03:18","slug":"decentrements-lyriques","status":"publish","type":"page","link":"https:\/\/u-paris.fr\/cerilac\/axes-de-recherche\/decentrements-lyriques\/","title":{"rendered":"Po\u00e9sies, Arts de la Voix et de l\u2019Oralit\u00e9 (PAVO)"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.21&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_post_title admin_label=\u00a0\u00bbTitre de la page\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; 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header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><strong>Co-responsables: Marik Froidefond et Cyril Vettorato<\/strong><\/p>\n<p>L\u2019axe PAVO (Po\u00e9sies, Arts de la Voix et de l\u2019Oralit\u00e9) r\u00e9unit\u00a0les enseignants-chercheurs et les doctorant.e.s dont les travaux portent sur la po\u00e9sie \u00e9crite et publi\u00e9e, les liens entre po\u00e9sie et musique, les arts de la parole et de la voix (conte, chanson, performance etc.), l\u2019ethnopo\u00e9tique.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h3>Pr\u00e9sentation<\/h3>\n<p>L\u2019axe f\u00e9d\u00e8re des projets individuels et collectifs qui concernent des pratiques de langues et de formes diverses, volontiers interm\u00e9diales, avec un empan culturel et chronologique large (de l\u2019Antiquit\u00e9 \u00e0 nos jours).<\/p>\n<p>Les activit\u00e9s se d\u00e9ploient selon trois modes\u00a0: des colloques et journ\u00e9es d\u2019\u00e9tudes, des s\u00e9minaires r\u00e9guliers, et des cycles de lectures et rencontres.<\/p>\n<p>Les colloques et journ\u00e9es d\u2019\u00e9tudes refl\u00e8tent la pluralit\u00e9 des champs de recherche et des perspectives th\u00e9oriques des membres de l\u2019axe : poursuite des travaux sur la chanson polyphonique au XVIe si\u00e8cle, organisation du deuxi\u00e8me volet du colloque international <em>Musicaliser la langue\u00a0: la voix et le flow dans le rap<\/em>, prolongement des r\u00e9flexions sur l\u2019\u00ab\u00a0instapo\u00e9sie\u00a0\u00bb et sur les nouvelles formes de cr\u00e9ation po\u00e9tique \u00e0 l\u2019heure d\u2019internet et des r\u00e9seaux sociaux, r\u00e9flexion sur les extr\u00eames dans la po\u00e9sie et la musique m\u00e9di\u00e9vale, organisation d\u2019un colloque Rons\u2019art, cycle de journ\u00e9es de r\u00e9flexion critique consacr\u00e9es chaque ann\u00e9e une \u0153uvre po\u00e9tique contemporaine importante (Journ\u00e9es Philippe Beck en 2024, Journ\u00e9es Anne Portugal en 2025).<\/p>\n<p>L\u2019axe propose \u00e9galement un s\u00e9minaire collectif, ouvert aux \u00e9tudiant.e.s de Master et de Doctorat, comme en avaient d\u00e9j\u00e0 organis\u00e9 \u00ab\u00a0D\u00e9centrement lyrique\u00a0\u00bb et le GREP (Groupe de Recherches\u00a0 en EthnoPo\u00e9tique). Ce s\u00e9minaire consacr\u00e9 aux arts de la parole et de la voix dans leurs manifestations po\u00e9tiques et ethnopo\u00e9tiques diverses, accorde une attention particuli\u00e8re aux contextes historiques, g\u00e9ographiques et culturels, Prolongeant la dynamique des deux projets IDEX \u00ab\u00a0Chorus\u00a0\u00bb (\u00ab\u00a0Les arts de la parole, entre voix singuli\u00e8re et corps social. Futur de l\u2019ethnopo\u00e9tique\u00a0\u00bb, 2019) et \u00ab\u00a0L\u2019air du temps. La chanson et l\u2019histoire, entre po\u00e9tique et politique\u00a0\u00bb (2021), ce s\u00e9minaire s\u2019appuie sur un programme d\u2019invitations des chercheurs les plus actifs dans ces domaines, ainsi que de praticiens et d\u2019artistes (chanteurs, musiciens, conteurs, performeurs, etc.). Cela afin de renforcer le dialogue entre la recherche et le faire, que ce soit sous formes de rencontres \u00e0 plusieurs voix (celle de la th\u00e9orie et celle de la pratique) ou de performances artistiques (cr\u00e9ation de <em>n\u00f4<\/em> <em>Medea<\/em> adapt\u00e9 de la trag\u00e9die de S\u00e9n\u00e8que en 2024).<\/p>\n<p>Parall\u00e8lement \u00e0 ces r\u00e9flexions th\u00e9oriques et critiques, l\u2019axe propose un cycle de lectures et de rencontres, \u00ab\u00a0Po\u00e9sie en cours\u00a0\u00bb, lanc\u00e9 en 2022, cherchant \u00e0 arpenter le champ en \u00e9bullition de la po\u00e9sie contemporaine, dans la pluralit\u00e9 de ses voix \u00e9mergentes, de ses langues, de ses formes et de ses mediums. A la fois s\u00e9minaire, lieu de d\u00e9frichage des nouvelles voix et des nouveaux formats de la po\u00e9sie contemporaine, et espace de rencontre entre les po\u00e8tes, les chercheurs et les lecteurs de la po\u00e9sie, \u00ab\u00a0Po\u00e9sie en cours\u00a0\u00bb a vocation \u00e0 s\u2019ouvrir \u00e0 un public plus vaste, notamment par l\u2019implication des \u00e9tudiant.e.s de la licence au doctorat et par la r\u00e9alisation d\u2019un podcast. Les s\u00e9ances, programm\u00e9es et organis\u00e9es collectivement par des membres de l\u2019axe en collaboration avec les doctorants et adoss\u00e9es autant que possible aux cours de Master, prennent la forme de rencontres \u00e0 plusieurs voix avec des po\u00e8tes et des po\u00e9tesses et l\u2019invit\u00e9.e. de leur choix (autre po\u00e8te, \u00e9diteur, plasticien, musicien, etc.). Afin d\u2019accentuer les liens entre la recherche, la pratique et l\u2019enseignement, ces rencontres sont ponctu\u00e9es par des \u00ab\u00a0Sc\u00e8nes po\u00e9tiques ouvertes\u00a0\u00bb anim\u00e9es par les \u00e9tudiant.e.s des ateliers pour l\u2019\u00e9crit et pour l\u2019oral de l\u2019Universit\u00e9 Paris-Cit\u00e9 et des \u00e9tudiant.e.s de communication de l\u2019IUT de Paris, qui sont ouvertes \u00e0 tous.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; _builder_version=\u00a0\u00bb3.19.11&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Co-responsables: Marik Froidefond et Cyril VettoratoL\u2019axe PAVO (Po\u00e9sies, Arts de la Voix et de l\u2019Oralit\u00e9) r\u00e9unit\u00a0les enseignants-chercheurs et les doctorant.e.s dont les travaux portent sur la po\u00e9sie \u00e9crite et publi\u00e9e, les liens entre po\u00e9sie et musique, les arts de la parole et de la voix (conte, chanson, performance etc.), l\u2019ethnopo\u00e9tique. <div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Pr\u00e9sentationL\u2019axe f\u00e9d\u00e8re des&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/axes-de-recherche\/decentrements-lyriques\/\">Lire la suite<span> Po\u00e9sies, Arts de la Voix et de l\u2019Oralit\u00e9 (PAVO)<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":0,"parent":400,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"coauthors":[8],"class_list":["post-772","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=772"}],"version-history":[{"count":10,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/772\/revisions"}],"predecessor-version":[{"id":5684,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/772\/revisions\/5684"}],"up":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/pages\/400"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=772"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}