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Colloque organis\u00e9 par C\u00e9cile Narjoux, Luce Limido et Gaspard Delon (CERILAC) les 18-20 juin 2025 \u00e0 l’universit\u00e9 Paris Cit\u00e9.<\/p>\n
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Au commencement \u00e9tait la graine\u00a0!\u00a0<\/p>\n
Dans le cadre de l\u2019axe transversal \u00e9cocritique\/\u00e9copo\u00e9tique du CERILAC (UFR LAC, Universit\u00e9 Paris Cit\u00e9), nous souhaitons, par ce colloque, ouvrir un espace de rencontres interdisciplinaires autour de quelques-unes des dimensions r\u00e9elles, potentielles et symboliques des graines dans la pens\u00e9e, l\u2019esth\u00e9tique et la cr\u00e9ation artistique europ\u00e9enne et extra-europ\u00e9enne.<\/p>\n
\u00c0 l\u2019instar de la vie qui surgit, s\u2019obstine et se diffuse, les graines s\u2019enracinent ici et voyagent ailleurs, port\u00e9es par le vent aussi bien que transport\u00e9es par les poches des voyageurs. L\u2019histoire des hommes, des femmes et des cultures est \u00e9troitement entrelac\u00e9e \u00e0 celle des graines, qu\u2019elles soient sauvages ou cultiv\u00e9es.<\/p>\n
Si les graines sont pourvoyeuses de la vie v\u00e9g\u00e9tale, elles sont aussi au c\u0153ur de ses \u00e9volutions. Entre le m\u00eame et l\u2019autre, entre production et reproduction, les graines laissent place \u00e0 la contingence et \u00e0 l\u2019\u00e9mergence de diff\u00e9rences, de variants et de variations. \u00c0 cet \u00e9gard, elles exemplifient \u00e9galement les processus de cr\u00e9ation, artistique ou scientifique, car chaque graine porte son h\u00e9ritage, s\u2019enracine dans un sol plus ou moins fertile, se nourrit, s\u2019acclimate ou se tarit. F\u00e9condation, germination, maturation, gen\u00e8se et ensemencement, sympo\u00ef\u00e8se, plantes amies : beaucoup des items de la transmission et de la cr\u00e9ation participent de la s\u00e9mantique de la graine et des semences, depuis les semences de feu dissimul\u00e9es par Prom\u00e9th\u00e9e, jusqu\u2019aux semences de v\u00e9rit\u00e9 de Descartes, en passant par les graines de la paix et du g\u00e9nie.<\/p>\n
Ce colloque souhaite explorer diff\u00e9rentes facettes de la r\u00e9alit\u00e9 autant que des puissances imaginaires des graines dans un cadre interdisciplinaire visant un dialogue entre les arts (litt\u00e9rature, arts [audio-]visuels, arts plastiques, musique), la philosophie et l\u2019esth\u00e9tique environnementale. L\u2019accent sera mis sur la cr\u00e9ation artistique, tant dans ses modalit\u00e9s processuelles que dans ses possibles intentions politiques.\u00a0<\/p>\n
Des propositions pourront ainsi \u00eatre faites sur les questions suivantes :<\/p>\n
Des propositions de d\u00e9marches artistiques ou de recherche-cr\u00e9ation peuvent aussi \u00eatre envisag\u00e9es et pr\u00e9sent\u00e9es selon des formats adapt\u00e9s aux modalit\u00e9s et aux limites d\u2019un colloque.<\/p>\n
Ce sont autant de pistes que nous vous proposons d\u2019explorer lors du colloque organis\u00e9 les 18 et 19 juin 2025 \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9 (UFR. LAC, Grands Moulins, Paris 13e).\u00a0<\/p>\n
[Le temps des communications sera de 30 minutes maximum.]<\/p>\n
Les propositions, d\u2019environ 2000 signes (une demi-page), accompagn\u00e9es d\u2019un titre et d\u2019une courte bio-bibliographie, sont \u00e0 adresser avant le 15 d\u00e9cembre 2024 par courrier \u00e9lectronique aux adresses suivantes\u00a0:<\/p>\n
patricia-luce.limido@u-paris.fr<\/a>\u00a0<\/p>\n cecilenarjoux.univpariscite@gmail.com<\/a>\u00a0\u00a0<\/p>\n gaspard.delon@gmail.com<\/a>\u00a0<\/p>\n Manola Antonioli (ENSA La Villette), Nathalie Blanc (Ladyss, Centre des Politiques de la Terre,\u00a0UPCit\u00e9), In\u00e8s Cazalas (CERILAC, UPCit\u00e9), Jean-Fran\u00e7ois Cottier (id.), Gaspard Delon (id.),\u00a0 Marik Froidefond (id.), Patricia-Luce Limido (id.), Pauline Nadrigny (Paris 1 Panth\u00e9on-Sorbonne), C\u00e9cile Narjoux (CERILAC, UPCit\u00e9), Cl\u00e9lia Nau (id.)<\/p>\n Ardenne, Paul,\u00a0Un art \u00e9cologique<\/em>, Lormont, Le Bord de l\u2019eau, 2018.<\/p>\n Arnoux, Mathieu, Le temps des laboureurs<\/em>, Albin Michel, 2012.<\/p>\n Cl\u00e9ment, Gilles, Le Jardin plan\u00e9taire <\/em>(avec Claude \u00c9veno), L’Aube\/Ch\u00e2teau-Vallon, 1997.<\/p>\n \u2013, Le jardin en mouvement, de la Vall\u00e9e au Jardin plan\u00e9taire<\/em>, \u00e9d. Sens et Tonka, mars 2007 (r\u00e9\u00e9dition augment\u00e9e).\u00a0\u00a0<\/p>\n Coccia, Emanuele,\u00a0La vie des plantes,<\/em> Paris, Payot & Rivages, 2016.<\/p>\n Dubreuil, Laurent, Botaniser l\u2019Odyss\u00e9e<\/em>, Les Belles Lettres, 2024.<\/p>\n D\u00e9tienne, Marcel, Les jardins d\u2019Adonis<\/em>, Gallimard, 1972.<\/p>\n D\u00e9tienne, Marcel et Vernant, Jean-Pierre, La cuisine du sacrifice<\/em>, Gallimard, 1979.<\/p>\n Goethe, Essai sur la m\u00e9tamorphose des plantes,<\/em> Editions Triades, 2013.<\/p>\n Grange, Marion & Louw, Bronwyn , La Migration des plantes<\/em>, Manuella Editions, 2024.<\/p>\n Hall\u00e9, Francis\u00a0& Lieutaghi, Pierre\u00a0 (dir.), Aux origines des plantes<\/em>. Des plantes anciennes \u00e0 la botanique du 21e si\u00e8cle, <\/em>Fayard, 2008.<\/p>\n Haraway, Donna, \u00ab Anthropoc\u00e8ne, Capitaloc\u00e8ne, Plantationoc\u00e8ne, Chthuluc\u00e8ne \u00bb, trad. Neyrat, Fr\u00e9d\u00e9ric, Multitudes, <\/em>2016|<\/strong>4, no<\/sup> 65, p. 76. En ligne : <https:\/\/shs.cairn.info\/revue-multitudes-2016-4-page-75?lang=fr<\/a>><\/p>\n Lieutaghi, Pierre, La plante compagne <\/em>(1991), Actes Sud, 2021.<\/p>\n Lowenhaupt Tsing, Anna, Le Champignon de la fin du monde<\/em>, La D\u00e9couverte, 2015.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n Mancuso, Stefano, L\u2019incroyable voyage des plantes,<\/em> Albin Michel, 2022.<\/p>\n Nau, Cl\u00e9lia, Feuillages : L\u2019art et les puissances du v\u00e9g\u00e9tal<\/em>, Hazan, 2021.<\/p>\n Petitot, Jean, Morphologie et esth\u00e9tique,<\/em> Paris, Maisonneuve et Larose, 2004.<\/p>\n Tassin, Jacques, Penser comme un arbre, <\/em>Odile Jacob, 2018.<\/p>\n \u2013, Le jardinier de Ronsard,<\/em> Odile Jacob, 2024.<\/p>\n Torjman, H\u00e9l\u00e8ne, \u201cLa construction d’une marchandise : le cas des semences<\/em>\u201d, <https:\/\/www.cairn.info\/revue-annales-2008-6-page-1341.htm<\/a>><\/p>\n \u2013, La croissance verte contre la nature, Critique de l\u2019\u00e9cologie marchande,<\/em> 2024.<\/p>\n Pistes litt\u00e9raires\u00a0\u00a0<\/strong><\/p>\n Butor, Michel, Graines,<\/em> sur les photographies de Paul Starosta, \u00c9ditions des 5 continents, 2016.<\/p>\n Giono, Jean, Regain<\/em> (1930), Livre de poche, 1967.<\/p>\n Giono, Jean, L\u2019homme qui plantait des arbres<\/em> (1953), Folio, 2008.<\/p>\n H\u00e9siode, Les travaux et les jours, <\/em>Les Belles Lettres, 2018.<\/p>\n Powers, Richard, L\u2019arbre-monde<\/em> (The Overstory<\/em>,\u00a0 2018), 10\/18, 2019.<\/p>\n Rousseau, Jean-Jacques,\u00a0Huit lettres \u00e9l\u00e9mentaires sur la botanique<\/em> (1771), Mercure de France, 2002.<\/p>\n Zola, Emile, Germinal<\/em> (1885), Livre de poche, 2000.<\/p>\n Pistes th\u00e9\u00e2trales<\/strong><\/p>\n Beaufils, Eliane (dir), Dramaturgie des plantes<\/em>, Revue Tangences, num\u00e9ro 132, 2023, <https:\/\/journals.openedition.org\/tangence\/2293><\/p>\n Garcin-Marrou, Flore, Th\u00e9\u00e2trologie des plantes ou le plant turn du th\u00e9\u00e2tre contemporain,<\/em> En ligne, <https:\/\/www.thaetre.com\/2019\/06\/01\/theatrologie-des-plantes><\/p>\n Mathieu, Joris, La germination, d\u2019autres mondes possibles<\/em>, Th\u00e9\u00e2tre de St Nazaire. En ligne, <https:\/\/www.letheatre-saintnazaire.fr\/spectacles\/la-germination-dautres-mondes-possibles-episode-1><\/p>\n Pistes chor\u00e9graphiques<\/strong><\/p>\n Clavel, Joanne & Ginot, Isabelle (dir.), E\u0301cosomatiques. Penser l\u2019e\u0301cologie depuis le geste<\/em>, Deuxie\u0300me E\u0301poque, 2019.<\/p>\n Pistes musicales<\/strong><\/p>\n Follet, Danielle, \u00ab La musique du XX\u00e8me si\u00e8cle, la morphogen\u00e8se goeth\u00e9enne et le hasard\u00a0: Webern, Boulez, Cage \u00bb, dans Penser le vivant,<\/em> 2017, p. 139-158.<\/p>\n Jean-Luc Herv\u00e9, Germinations, <\/em><https:\/\/brahms.ircam.fr\/fr\/works\/work\/33485\/<\/a>><\/p>\n Pistes cin\u00e9matographiques<\/strong><\/p>\n Castro Teresa, Pitrou Perig et Rebecchi Marie (dir.), Puissance du ve\u0301ge\u0301tal et cine\u0301ma animiste. La vitalite\u0301 re\u0301ve\u0301le\u0301e par la technique<\/em>, Dijon, Les Presses du re\u0301el, 2020.\u00a0<\/p>\n Della Noce Elio et Murari Lucas\u00a0 (dir.), Expanded Nature. E\u0301cologies du cine\u0301ma expe\u0301rimental<\/em>, Dijon, Les Presses du re\u0301el, 2022.<\/p>\n Deville Vincent et Olc\u00e8se Rodolphe (dir.), L\u2019Art et les formes de la nature<\/em>, Paris, Hermann, 2023.<\/p>\n Durafour Jean-Michel, Tchernobyliana. Esth\u00e9tique et cosmologie de l\u2019\u00e2ge radioactif<\/em>, Paris, Vrin, 2021.<\/p>\n Pick Anat et Narraway Guinevere (dir.), Screening Nature. Cinema Beyond the Human<\/em>, New York et Oxford, Berghahn, 2023 (2013).<\/p>\n Autres pistes d\u2019artistes et de pratiques d\u2019arts \u00e9cologiques susceptibles d\u2019\u00eatre \u00e9tudi\u00e9s\u00a0<\/strong><\/p>\n Joseph Beuys, Pierre Huyghe, Thierry Ardouin, Fabrice Hyber, Ana Mendieta, Rirkrit Tiravanija,\u00a0Subodh Gupta, Ernesto Neto, Karine Bonneval, Dornith Doherty, Duy Anh Nhan Duc, Jade Tang, etc.<\/p>\n Expositions r\u00e9centes<\/strong><\/p>\n \u00ab Graines, l’exposition ! <\/a>Petit pr\u00e9cipit\u00e9 subjectif d\u2019une histoire des graines \u00bb, au 104, en 2022.<\/p>\n \u00ab\u00a0Food, produire, manger consommer\u00a0\u00bb, au MUCEM, en 2015.<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"Comit\u00e9 scientifique<\/h3>\n
R\u00e9f\u00e9rences et pistes bibliographiques, prospectives et non exhaustives<\/h3>\n
\u00c0<\/span> lire aussi<\/h2>\n