{"id":5418,"date":"2024-12-18T15:00:45","date_gmt":"2024-12-18T14:00:45","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=5418"},"modified":"2025-12-04T10:37:12","modified_gmt":"2025-12-04T09:37:12","slug":"aac-je-politiques-du-style","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/aac-je-politiques-du-style\/","title":{"rendered":"AAC JE \u00ab\u00a0Politiques du style\u00a0\u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"et_pb_column et_pb_column_3_4 et_pb_column_6 et_pb_css_mix_blend_mode_passthrough\">\n<div id=\"contenu\" class=\"et_pb_module et_pb_text et_pb_text_3 et_pb_bg_layout_light et_pb_text_align_left\">\n<div class=\"et_pb_text_inner\">\n<p>Journ\u00e9e d&rsquo;\u00e9tudes organis\u00e9e par Vincent Berthelier.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/12\/Politiques.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; 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link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h3>Pr\u00e9sentation<\/h3>\n<p>La stylistique affiche actuellement, dans l\u2019espace francophone, un dynamisme appr\u00e9ciable\u00a0: tout en restant fid\u00e8le \u00e0 la rigueur h\u00e9rit\u00e9e du structuralisme pour les analyses microtextuelles, la discipline a su entrer r\u00e9cemment en dialogue avec la sociologie de la litt\u00e9rature, la philosophie, les \u00e9tudes de genre ou les \u00e9tudes cognitives. Malgr\u00e9 une ind\u00e9niable pr\u00e9f\u00e9rence pour le canon national de France, la stylistique a aussi su ouvrir occasionnellement son corpus d\u2019\u00e9tude aux litt\u00e9ratures de langue fran\u00e7aise non-m\u00e9tropolitaines (Le Bris et Rouaud, 2007).<\/p>\n<p>Pour autant, alors que se multiplient les \u00e9tudes sur le caract\u00e8re mondial de la litt\u00e9rature (David, 2012\u00a0; Moretti, 2013\u00a0;\u00a0Puchner, 2017\u00a0; Moura, 2023\u00a0; Sapiro, 2024), la stylistique semble ferm\u00e9e \u00e0 cet horizon par un verrou intrins\u00e8que. Tout se passe comme si la technicit\u00e9 \u00e0 laquelle elle est astreinte emp\u00eachait d\u2019ouvrir l\u2019analyse stylistique \u00e0 d\u2019autres zones culturelles, g\u00e9ographiques et linguistiques. Les rares incursions ext\u00e9rieures se font g\u00e9n\u00e9ralement au profit des litt\u00e9ratures de langue anglaise, ou du moins de langues indo-europ\u00e9ennes. Dans le m\u00eame temps, l\u2019approche stylistique (sans doute trop sp\u00e9cifique \u00e0 la tradition universitaire fran\u00e7aise et \u00e0 ses \u00e9preuves de recrutement) demeure marginale aupr\u00e8s des sp\u00e9cialistes de langue \u00e9trang\u00e8re. Il semblerait finalement que les questionnements stylistiques unissant des langues diff\u00e9rentes int\u00e9ressent davantage les traducteurs et traductologues (Meschonnic, 2000), voire les linguistes, que les stylisticiens.<\/p>\n<p>Le but de cette journ\u00e9e d\u2019\u00e9tude est donc de pallier cette insuffisance et d\u2019\u00e9largir le cadre linguistique de la discipline, en posant les jalons de ce qu\u2019on pourrait appeler une stylistique compar\u00e9e \u2013 distincte des programmes d\u2019\u00e9tude d\u2019un Charles Bally sur l\u2019expressivit\u00e9 respective des langues naturelles (Fran\u00e7ois, 2023). Nous tenterons ainsi de jeter les bases d\u2019une stylistique litt\u00e9raire, historicis\u00e9e, non exclusivement limit\u00e9e \u00e0 la stylistique d\u2019auteur, politique enfin, dans la continuit\u00e9 des travaux de notre s\u00e9minaire. \u00c0 l\u2019occasion de cette journ\u00e9e, nous invitons \u00e0 proposer des contributions qui s\u2019int\u00e9ressent\u00a0:<\/p>\n<ul>\n<li>aux notions critiques ou spontan\u00e9es qui, pour une aire linguistico-culturelle \u00e9trang\u00e8re donn\u00e9e, se r\u00e9f\u00e8rent \u00e0 la forme des textes litt\u00e9raires et \u00e0 leur usage sp\u00e9cifique du mat\u00e9riau linguistique. Comment nomme-t-on les styles d\u2019\u00e9criture en Chine, au Japon, dans les litt\u00e9ratures arabes\u00a0? Quels domaines ces notions recouvrent-elles (le lexique, la syntaxe, la construction narrative, les figures)\u00a0? Comment interagissent-elles avec des notions import\u00e9es (si l\u2019on pense par exemple au <em>sutairu<\/em> japonais)\u00a0?<\/li>\n<li>aux pratiques r\u00e9dactionnelles, en tant que celles-ci t\u00e9moignent de circulations stylistiques transnationales ou de tentatives de transposition \u2014 afin de ne pas limiter l\u2019\u00e9tude de la <em>Weltliteratur<\/em> \u00e0 sa dimension th\u00e9matique ou macrotextuelle.<\/li>\n<li>\u00e0 la signification politique de ces pratiques d\u2019\u00e9criture\u00a0: comment vise-t-elle par exemple \u00e0 transformer la relation entre langue(s) vernaculaire(s) et langue(s) litt\u00e9raire(s), \u00e0 faire \u00e9merger une langue nationale ou une conscience politique collective, \u00e0 servir de laboratoire de la modernisation d\u2019un pays, etc.\u00a0?<\/li>\n<\/ul>\n<p>En abordant cette stylistique compar\u00e9e et transnationale sous l\u2019angle politique, il s\u2019agira donc de ne pas s\u2019en tenir au constat \u00e9merveill\u00e9 de la diversit\u00e9 des langues, des imaginaires et des pratiques litt\u00e9raires. L\u2019enjeu est plut\u00f4t de voir en quoi le c\u0153ur m\u00eame de la cr\u00e9ation litt\u00e9raire, le travail de la langue, est susceptible de porter la marque des bouleversements de son temps\u00a0: luttes sociales, colonisation, conflits arm\u00e9s, mondialisation, d\u00e9veloppement in\u00e9gal entre centre et p\u00e9riph\u00e9rie, imp\u00e9rialisme (y compris culturel), modernisation \u00e9conomique et politique.<\/p>\n<p>Nous privil\u00e9gierons les propositions portant sur des litt\u00e9ratures non-occidentales et\/ou de langue non-indo-europ\u00e9enne. Sans poser de borne chronologique stricte, nous pr\u00e9f\u00e9rons limiter le corpus aux \u0153uvres post\u00e9rieures \u00e0 la fin du xix<sup>e<\/sup> si\u00e8cle, s\u2019inscrivant dans un espace mondial unifi\u00e9, quoique hautement conflictuel. Enfin, nous tenons \u00e0 souligner que la journ\u00e9e n\u2019est pas r\u00e9serv\u00e9e aux seul\u22c5es stylisticien\u22c5nes, au contraire\u00a0! Tout comme le s\u00e9minaire dont elle est issue, cette journ\u00e9e doit se voir plut\u00f4t comme une occasion, pour les chercheurs en g\u00e9n\u00e9ral, d\u2019aborder de front les \u00e9nigmes que pose le style.<\/p>\n<p><strong>Les propositions, d\u2019une longueur maximale de 3\u00a0000 caract\u00e8res, sont \u00e0 envoyer avant le 28 f\u00e9vrier 2025 \u00e0 v.berthelier(\u00e0)hotmail.fr<\/strong>.<\/p>\n<h3>Bibliographie indicative\u00a0<\/h3>\n<p>David J\u00e9r\u00f4me, <em>Spectres de Goethe. Les m\u00e9tamorphoses de la \u00ab\u00a0litt\u00e9rature mondiale\u00a0\u00bb<\/em>, Paris, les Prairies ordinaires, coll. \u00ab\u00a0Essais\u00a0\u00bb, 2012.<\/p>\n<p>Fran\u00e7ois Jacques, \u00ab\u00a0En quoi la stylistique \u201ccompar\u00e9e\u201d \u00e9tait-elle r\u00e9ellement une stylistique\u00a0? Les apports respectifs de Charles\u00a0Bally et Fritz Strohmeyer\u00a0\u00bb, dans \u00e9d. Audrey Roig et Anne-Ga\u00eblle Toutain, <em>Concert mondial de linguistique fran\u00e7aise\u202f: M\u00e9langes offerts \u00e0 Franck Neveu<\/em>, Lyon, ENS \u00c9ditions, coll. \u00ab\u00a0Langages\u00a0\u00bb, 2023, p.\u00a059-72. Container-title: Concert mondial de linguistique fran\u00e7aise\u202f: M\u00e9langes offerts \u00e0 Franck Neveu.<\/p>\n<p>Le Bris Michel et Jean Rouaud, <em>Pour une litt\u00e9rature-monde<\/em>, Paris, Gallimard, 2007.<\/p>\n<p>Meschonnic Henri\u00a0(dir.), <em>Et le g\u00e9nie des langues\u00a0?<\/em>, Saint-Denis, Presses universitaires de Vincennes, coll. \u00ab\u00a0Essais et savoirs\u00a0\u00bb, 2000.<\/p>\n<p>Moretti Franco, <em>Distant reading<\/em>, London, Verso, 2013.<\/p>\n<p>Moura Jean-Marc, <em>La totalit\u00e9 litt\u00e9raire\u00a0: th\u00e9ories et enjeux de la litt\u00e9rature mondiale<\/em>, Paris, Puf, 2023.<\/p>\n<p>Puchner Martin, \u00ab\u00a0Readers of the world unite\u00a0\u00bb, sur <em>Aeon<\/em>, https:\/\/aeon.co\/essays\/world-literature-is-both-a-market-reality-and-a-global-ideal, 20 septembre 2017, consult\u00e9 le 16 juillet 2024.<\/p>\n<p>Sapiro Gis\u00e8le, <em>Qu\u2019est-ce qu\u2019un auteur mondial\u202f? le champ litt\u00e9raire transnational<\/em>, Paris, EHESS Gallimard Seuil, coll. \u00ab\u00a0Hautes \u00e9tudes\u00a0\u00bb, 2024.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; _builder_version=\u00a0\u00bb3.19.11&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Journ\u00e9e d&rsquo;\u00e9tudes organis\u00e9e par Vincent Berthelier. <div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Pr\u00e9sentationLa stylistique affiche actuellement, dans l\u2019espace francophone, un dynamisme appr\u00e9ciable\u00a0: tout en restant fid\u00e8le \u00e0 la rigueur h\u00e9rit\u00e9e du structuralisme pour les analyses microtextuelles, la discipline a su entrer r\u00e9cemment en dialogue avec la sociologie de la litt\u00e9rature, la philosophie, les \u00e9tudes de genre ou les \u00e9tudes&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/aac-je-politiques-du-style\/\">Lire la suite<span> AAC JE \u00ab\u00a0Politiques du style\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":5419,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,26],"tags":[],"coauthors":[8],"class_list":["post-5418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=5418"}],"version-history":[{"count":1,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5418\/revisions"}],"predecessor-version":[{"id":5420,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5418\/revisions\/5420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/5419"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=5418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=5418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=5418"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=5418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}