
{"id":5463,"date":"2025-01-06T14:55:12","date_gmt":"2025-01-06T13:55:12","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=5463"},"modified":"2025-12-04T10:37:16","modified_gmt":"2025-12-04T09:37:16","slug":"aac-universite-dete-faire-image-au-xviie-siecle","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/aac-universite-dete-faire-image-au-xviie-siecle\/","title":{"rendered":"AAC Universit\u00e9 d&rsquo;\u00e9t\u00e9 \u00ab\u00a0Faire image au XVIIe si\u00e8cle\u00a0\u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"et_pb_column et_pb_column_3_4 et_pb_column_6 et_pb_css_mix_blend_mode_passthrough\">\n<div id=\"contenu\" class=\"et_pb_module et_pb_text et_pb_text_3 et_pb_bg_layout_light et_pb_text_align_left\">\n<div class=\"et_pb_text_inner\">\n<p>Universit\u00e9 d&rsquo;\u00e9t\u00e9 organis\u00e9e par Olivier BONFAIT (Dijon, Universit\u00e9 de Bourgogne) ; Giovanni CARERI (Paris, Ehess) ; Fr\u00e9d\u00e9ric COUSINIE (Universit\u00e9 de Rouen Normandie) ; Romain THOMAS (Paris, Inha), Vanessa SELBACH (Paris, Bnf), en collaboration avec les membres de l&rsquo;axe Th\u00e9l\u00e8me.<\/p>\n<p>Paris, INHA (Salle Vasari), 10-11 juillet 2025<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2025\/01\/17e\u0300me.jpg\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text admin_label=\u00a0\u00bbTexte image\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbtexte-image\u00a0\u00bb background_color=\u00a0\u00bbrgba(242,242,242,0)\u00a0\u00bb custom_margin=\u00a0\u00bb|-15px||\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; 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header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h5>Michael Snijders (1610-1672), <em>Feuille d\u2019\u00e9tude avec t\u00eates, figures, animaux et v\u00e9g\u00e9taux<\/em>, s.d., eau-forte, Amsterdam, Rijksmuseum.<\/h5>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h5 style=\"text-align: right\">IMAGE. f. f. Repr\u00e9sentation d\u2019une chose en sculpture, peinture, gravure. <em>Les images des faux Dieux ; les images des Saints ; une<\/em> <em>belle image ; une image bien faite, bien ressemblante ; l\u2019image du Roy ; briser, rompre les images ; abattre les images ; il faut honorer les<\/em><\/h5>\n<h5 style=\"text-align: right\"><em>images des Saints.<\/em><\/h5>\n<h5 style=\"text-align: right\">Il se dit plus particuli\u00e8rement des estampes. <em>Image en taille-douce ; en taille de bois ; il y a de belles images en ce livre ; un vendeur<\/em><\/h5>\n<h5 style=\"text-align: right\"><em>d\u2019image ; il amuse les enfans avec des images<\/em>.<\/h5>\n<h5 style=\"text-align: right\">On dit figur. d\u2019une belle personne, mais qui n\u2019a gu\u00e8re d\u2019action, qui n\u2019est gu\u00e8re anim\u00e9e que <em>C\u2019est une image, c\u2019est une belle<\/em><\/h5>\n<h5 style=\"text-align: right\"><em>image<\/em>.<\/h5>\n<h5 style=\"text-align: right\">On dit. prov. &amp; par raillerie \u00e0 quelqu\u2019un : <em>Vous avez bien fait, vous aurez une image<\/em>. <em>[\u2026].<\/em><\/h5>\n<h5 style=\"text-align: right\"><em>Image <\/em>signifie encore, Ressemblance. <em>Dieu a fait l\u2019homme \u00e0 son image &amp; semblance ; cet enfant est l\u2019image du p\u00e8re, sa vraye image, sa<\/em><\/h5>\n<h5 style=\"text-align: right\"><em>vive image<\/em>. <em>Image<\/em>, se dit aussi des esp\u00e8ces qui repr\u00e9sentent les objets aux yeux, ou \u00e0 l\u2019imagination. <em>L\u2019Image des corps frappe nos yeux ;<\/em> <em>durant le sommeil ces images se remuent ; il nous reste dans l\u2019esprit des images de ce que nous avons veu [\u2026]<\/em>.<\/h5>\n<h5 style=\"text-align: right\"><em>Dictionnaire de l\u2019Acad\u00e9mie fran\u00e7aise<\/em>, Paris, J. B. Coignard, 1694, art. \u00ab Image \u00bb, p. 588-589.<\/h5>\n<p><a href=\"https:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2025\/01\/Appel-a\u0300-Candidature-Faire-image-au-XVIIe-sie\u0300cle-16-12-2024-DEF.pdf\">Appel t\u00e9l\u00e9chargeable<\/a><\/p>\n<h3>Pour qui ? Pour quoi ?<\/h3>\n<p>Destin\u00e9e aux doctorants et \u00e9tudiants en master 2 travaillant sur l\u2019image, l\u2019Universit\u00e9 d\u2019\u00e9t\u00e9 offre un lieu et un temps privil\u00e9gi\u00e9s de rencontres entre professionnels et jeunes chercheurs, accueillant les recherches les plus stimulantes consacr\u00e9es \u00e0 l\u2019histoire de l\u2019art europ\u00e9en et extra-europ\u00e9en du XVIIe si\u00e8cle (entendu largement, des ann\u00e9es 1580 \u00e0 1720).<\/p>\n<p>Encadr\u00e9s par des enseignants-chercheurs relevant de plusieurs disciplines (histoire de l\u2019art, histoire, litt\u00e9rature, philosophie, musicologie), diff\u00e9rents ateliers seront l\u2019occasion de pr\u00e9senter et de discuter collectivement les recherches men\u00e9es par les nouvelles g\u00e9n\u00e9rations de chercheurs.<\/p>\n<p>Le soutien institutionnel apport\u00e9 par l\u2019Inha et ses partenaires permettra de proposer des bourses forfaitaires individuelles, \u00e0 titre de prise en charge d\u2019une partie des frais engag\u00e9s par les participants ext\u00e9rieurs (r\u00e9gions et pays \u00e9trangers).<\/p>\n<p>L\u2019\u00e9v\u00e9nement, d\u00e9tach\u00e9 du calendrier et des obligations acad\u00e9miques, int\u00e9grera au moins une visite collective, se veut inclusif, pluriel, participatif, programmatique.<\/p>\n<h3>\u00a0<\/h3>\n<h3>\u00ab Faire image au XVIIe si\u00e8cle \u00bb<\/h3>\n<p>L\u2019\u00e9dition 2025 de l\u2019Universit\u00e9 d\u2019\u00e9t\u00e9 est consacr\u00e9e \u00e0 une question largement ouverte, susceptible d\u2019accueillir les chercheurs de divers horizons disciplinaires : \u00ab Faire image au XVIIe si\u00e8cle \u00bb. Le th\u00e8me peut \u00eatre d\u00e9clin\u00e9 selon au moins quatre acceptions :<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>IDENTIFIER. Le <em>Dictionnaire de l\u2019Acad\u00e9mie <\/em>sugg\u00e8re au XVIIe si\u00e8cle une grande diversit\u00e9 de d\u00e9finitions de l\u2019image, exc\u00e9dant les cat\u00e9gories usuelles de l\u2019histoire de l\u2019art (peinture, sculpture, gravure). Quelles sont les images pouvant \u00eatre identifi\u00e9es comme objets d\u2019\u00e9tudes au XVIIe si\u00e8cle ? Quels sont leurs statuts et leurs typologies ? Selon quelles relations dynamiques et r\u00e9ciproques peuvent-elles \u00eatre envisag\u00e9es ?<\/li>\n<li>PRODUIRE. Qu\u2019est-ce que susciter, mettre en \u0153uvre, fabriquer, \u00e9mettre une \u00ab image \u00bb, ainsi entendue dans toute la diversit\u00e9 de ses d\u00e9finitions ?<\/li>\n<li>DISCOURIR. Quels discours (technique, mat\u00e9riel, historique, scientifique, philosophique, th\u00e9ologique, \u00e9sot\u00e9rique, ) sont susceptibles d\u2019\u00eatre \u00e9labor\u00e9s sur ces images ? Dans quels champs disciplinaires ? Avec quels outillages m\u00e9thodologiques ? Selon quels principes ? Pour quels types de questions ? En vue de quelles interpr\u00e9tations ?<\/li>\n<li>REPRESENTER. Ouvrant sur des questions historiographiques et id\u00e9ologiques, nous nous demanderons quelles repr\u00e9sentations collectives du XVIIe si\u00e8cle forment l\u2019art, l\u2019histoire de l\u2019art, les disciplines et les divers discours qui prennent en charge son \u00e9tude.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Candidater<\/h3>\n<p>Les candidats, inscrits en th\u00e8se ou en master 2 et souhaitant poursuivre une recherche doctorale, d\u00e9poseront un dossier de candidature en tant que <strong>communicant <\/strong>(une intervention orale de 20 mn sur le th\u00e8me propos\u00e9), ou bien en tant que <strong>discutant <\/strong>(participation aux d\u00e9bats, questions, remarques).<\/p>\n<p>Le dossier pour les communicants comprendra : un CV (une page), le projet de recherche en cours (3500 signes max.), une proposition de communication t\u00e9moignant d\u2019une approche interdisciplinaire et d\u2019un investissement th\u00e9orique significatif (1500 signes).<\/p>\n<p>Le dossier pour les discutants int\u00e8grera : le CV, le projet de recherche, une lettre de motivation. La langue de communication sera, de pr\u00e9f\u00e9rence, le fran\u00e7ais ; sans condition de nationalit\u00e9.<\/p>\n<p>&nbsp;<\/p>\n<h3>Calendrier\/S\u00e9lection<\/h3>\n<p>Les dossiers (format PDF) devront \u00eatre adress\u00e9s avant le <strong>15 f\u00e9vrier 2025 <\/strong>\u00e0 l\u2019adresse<\/p>\n<p>suivante : <a href=\"mailto:universite17@inha.fr\">universite17@inha.fr<\/a><\/p>\n<p>Le jury charg\u00e9 de la s\u00e9lection informera les candidats retenus apr\u00e8s le 15 mars 2025.<\/p>\n<p>&nbsp;<\/p>\n<h3>Soutien financier<\/h3>\n<p>L\u2019Inha accueillera les participants et prendra en charge les d\u00e9jeuners.<\/p>\n<p>Les candidats ne r\u00e9sidant pas \u00e0 Paris ou en r\u00e9gion parisienne pourront solliciter une demande de soutien financier pour leur transport et le logement dont le montant forfaitaire maximum allou\u00e9 sera de 200 euros. Le versement sera effectu\u00e9 sur pr\u00e9sentation des factures des frais engag\u00e9s (voyage, h\u00e9bergement), \u00e0 l\u2019issue de l\u2019Universit\u00e9 d\u2019\u00e9t\u00e9 et apr\u00e8s \u00e9margement.<\/p>\n<p>Il est vivement conseill\u00e9 aux \u00e9tudiants de se tourner \u00e9galement vers le <strong>laboratoire d\u2019accueil <\/strong>de leur universit\u00e9 pour b\u00e9n\u00e9ficier d\u2019une aide compl\u00e9mentaire.<\/p>\n<p>&nbsp;<\/p>\n<h3>Comit\u00e9 d\u2019organisation<\/h3>\n<p>Olivier BONFAIT (Dijon, Universit\u00e9 de Bourgogne) ; Giovanni CARERI (Paris, Ehess) ; Fr\u00e9d\u00e9ric COUSINIE (Universit\u00e9 de Rouen Normandie) ; Romain THOMAS (Paris, Inha), Vanessa SELBACH (Paris, Bnf).<\/p>\n<p>&nbsp;<\/p>\n<h3>Comit\u00e9 scientifique<\/h3>\n<p><em>Le comit\u00e9 scientifique associe des chercheurs d\u2019autres disciplines que l\u2019histoire de l\u2019art (litt\u00e9rature, histoire, philosophie, musicologie) mais travaillant sur l\u2019image au XVII<\/em><em>e si\u00e8cle :<\/em><\/p>\n<p><em>\u00a0<\/em>Florence DUMORA (Universit\u00e9 Paris Cit\u00e9) ; Tony GHEERAERT (Universit\u00e9 de Rouen Normandie) ; Laurence GIAVARINI (Dijon, Universit\u00e9 de Bourgogne) ; St\u00e9phane HAFFEMAYER (Universit\u00e9 de Rouen Normandie) ; Philippe HAMOU (Sorbonne Universit\u00e9), H\u00e9l\u00e8ne LEBLANC (Universit\u00e9 de Gen\u00e8ve), Stanis PEREZ (Maison des Sciences de l&rsquo;Homme-Paris Nord), Th\u00e9odora PSYCHOYOU (Sorbonne Universit\u00e9) ; St\u00e9phane VAN DAMME (Paris, \u00c9cole normale sup\u00e9rieure)<\/p>\n<p>&nbsp;<\/p>\n<h3>Conseil scientifique<\/h3>\n<p><em>Le conseil scientifique (susceptible d\u2019int\u00e9grer de nouveaux membres int\u00e9ress\u00e9s par le projet) regroupe des enseignants-chercheurs et conservateurs historiens de l\u2019art, sp\u00e9cialistes du XVII<\/em><em>e :<\/em><\/p>\n<p><em>\u00a0<\/em><em>Partenaires \u00e0 l\u2019\u00e9tranger :<\/em><\/p>\n<p>Susanna BERGER (University of Southern California) ; Jan BLANC (Universit\u00e9 de Lausanne) ; Hanneke GROOTENBOER (University of Amsterdam) ; Aaron M. HYMAN (Universit\u00e4t Basel) ; Tod OLSON (UC Berkeley) ; Marika KNOWLES (University of Saint Andrews) ; Felipe PEREDA (Harward University) (<em>sous r\u00e9serve<\/em>) ; Lorenzo PERICOLO (Florida State University) ; Javier PORTUS (Museo del Prado).<\/p>\n<p><em>Partenaires en France :<\/em><\/p>\n<p>Lionel ARSAC (Ch\u00e2teau de Versailles) ; Sandra BAZIN-HENRY (Universit\u00e9 de Franche-Comt\u00e9, Besan\u00e7on) ; Marion BOUDON-MACHUEL (Universit\u00e9 de Tours ; Inha) ; Marianne COJANNOT-LEBLANC (Universit\u00e9 Paris Nanterre) ; Pascale CUGY (Universit\u00e9 Rennes 2) ; Rosa DE MARCO (Universit\u00e9 Rennes 2) ; Sabine DU CREST (Universit\u00e9 de Bordeaux Montaigne) ; Matthieu FANTONI (Mus\u00e9e Fabre, Montpellier) ; Alexandre GADY (Sorbonne Universit\u00e9 ; Mus\u00e9e du Grand Si\u00e8cle) ; (Christine GOUZI (Sorbonne Universit\u00e9) ; Guillaume KAZEROUNI (Mus\u00e9e des beaux-arts de Rennes) ; Estelle LEUTRAT (Universit\u00e9 de Poitiers) ; Anne PERRIN-KHELISSA (Universit\u00e9 Toulouse Jean Jaur\u00e8s) ; Julien LUGAND (Universit\u00e9 de Perpignan Via Domitia) ; L\u00e9onie MARQUAILLE (Universit\u00e9 Bordeaux Montaigne) ; Nicolas MILOVANOVIC (Mus\u00e9e du Louvre) ; Anne RITZ-GUILBERT (\u00c9cole du Louvre, Paris) ; H\u00e9l\u00e8ne ROUSTEAU-CHAMBON (Universit\u00e9 de Nantes) ; Adriana SENARD-KIERNAN (Universit\u00e9 Toulouse Jean Jaur\u00e8s) ; Magali THERON (Universit\u00e9 d\u2019Aix-Marseille) ; C\u00e9cile VINCENT-CASSY (CY Cergy Paris Universit\u00e9).<\/p>\n<p>Contact\/Information : <a href=\"mailto:f.cousinie@orange.fr\">f.cousinie@orange.fr <\/a>; <a href=\"mailto:romain.thomas@inha.fr\">romain.thomas@inha.fr<\/a><\/p>\n<p>Carnet-hypoth\u00e8se (<em>en cours de cr\u00e9ation<\/em>) : <a href=\"https:\/\/universite17.hypotheses.org\/\">https:\/\/universite17.hypotheses.org\/<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; _builder_version=\u00a0\u00bb3.19.11&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Universit\u00e9 d&rsquo;\u00e9t\u00e9 organis\u00e9e par Olivier BONFAIT (Dijon, Universit\u00e9 de Bourgogne) ; Giovanni CARERI (Paris, Ehess) ; Fr\u00e9d\u00e9ric COUSINIE (Universit\u00e9 de Rouen Normandie) ; Romain THOMAS (Paris, Inha), Vanessa SELBACH (Paris, Bnf), en collaboration avec les membres de l&rsquo;axe Th\u00e9l\u00e8me.Paris, INHA (Salle Vasari), 10-11 juillet 2025 Michael Snijders (1610-1672), Feuille d\u2019\u00e9tude avec t\u00eates, figures, animaux&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/aac-universite-dete-faire-image-au-xviie-siecle\/\">Lire la suite<span> AAC Universit\u00e9 d&rsquo;\u00e9t\u00e9 \u00ab\u00a0Faire image au XVIIe si\u00e8cle\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":5464,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[25,1,26],"tags":[],"coauthors":[8],"class_list":["post-5463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-appels-a-communications","category-cerilac","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=5463"}],"version-history":[{"count":4,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5463\/revisions"}],"predecessor-version":[{"id":5474,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5463\/revisions\/5474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/5464"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=5463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=5463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=5463"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=5463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}