{"id":5685,"date":"2025-03-05T10:23:00","date_gmt":"2025-03-05T09:23:00","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=5685"},"modified":"2025-11-07T16:39:55","modified_gmt":"2025-11-07T15:39:55","slug":"seminaire-mots-gestes-images-les-manifestes-extra-textuels-aux-xxe-et-xxie-siecles","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/seminaire-mots-gestes-images-les-manifestes-extra-textuels-aux-xxe-et-xxie-siecles\/","title":{"rendered":"S\u00e9minaire Mots, gestes, images : les manifestes extra-textuels aux XXe et XXIe si\u00e8cles."},"content":{"rendered":"

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Quand<\/h4>\n

Le 7 mars 2025<\/p>\n

O\u00f9<\/h4>\n

Universit\u00e9 Paul-Val\u00e9ry Montpellier 3\u00a0 – site Saint-Charles 1, salle STC1-005<\/p>\n

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par Charlotte Nalin, Viviana Birolli et Killian Loubiat <\/strong>
Charlotte Nalin pr\u00e9pare un m\u00e9moire de master, sous la direction de Sandrine Le Pors, sur les manifestes th\u00e9\u00e2traux, avec une attention particuli\u00e8re aux ann\u00e9es 1960 et au Living Theatre. Dans le cadre du Master Th\u00e9\u00e2tre et spectacle Vivant, elle m\u00e8ne actuellement un stage aupr\u00e8s du projet Manart.<\/p>\n

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\nThe Living Theatre, Paradise Now, 1968<\/em><\/p>\n

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Pr\u00e9sentation<\/h3>\n

La rencontre vise \u00e0 initier une r\u00e9flexion autour des manifestes extratextuels aux XXe et XXIe si\u00e8cles : des difficult\u00e9s de leur d\u00e9finition aux m\u00e9thodes d\u2019archivage, notamment via<\/em> les travaux de la base de donn\u00e9es ManArt (https:\/\/basemanart.com\/<\/a>), qui est au c\u0153ur du projet dans lequel Charlotte Nalin effectue un stage.<\/p>\n

R\u00e9pondant \u00e0 des codes pr\u00e9cis, formul\u00e9s pour la plupart \u00e0 partir des manifestes d\u2019avant-garde du premier tiers du XXe si\u00e8cle, l\u2019objet manifeste s\u2019est rapidement \u00e9mancip\u00e9 du support textuel pour rev\u00eatir des formes plastiques, musicales ou performatives. Les cr\u00e9ateurs se sont ainsi empar\u00e9s des caract\u00e9ristiques manifestaires classiques, pour les d\u00e9tourner et cr\u00e9er de nouveaux m\u00e9diums de communication propres \u00e0 leur discipline. Alors que dans certains domaines, comme les arts plastiques, de nombreuses \u0153uvres sont largement reconnues comme \u00e9tant des manifestes, les productions manifestaires issues des arts du spectacle semblent n\u00e9cessiter une plus grande attention, afin de mieux saisir et d\u00e9finir les rouages d\u2019un geste sc\u00e9nique pouvant \u00eatre qualifi\u00e9 de manifestaire.<\/p>\n

Dans un premier temps, nous nous pencherons sur la d\u00e9finition et l\u2019histoire du manifeste comme genre, avec une attention particuli\u00e8re aux diff\u00e9rents aspects des manifestes picturaux ; puis seront expos\u00e9s les r\u00e9sultats des recherches, encore en cours, men\u00e9es par Charlotte Nalin dans le cadre d\u2019un m\u00e9moire de Master consacr\u00e9 aux manifestes dans les arts du spectacle.<\/p>\n

Cette rencontre entend questionner, plus sp\u00e9cifiquement, la r\u00e9ception de pi\u00e8ces th\u00e9\u00e2trales, voire de gestes sc\u00e9niques souvent consid\u00e9r\u00e9s comme des manifestes a posteriori<\/em>. Comment ces objets artistiques font-ils manifeste \u00e0 travers des images, des gestes, des voix\u00a0? De quelle mani\u00e8re la d\u00e9finition d\u2019un genre \u00e9volue-t-elle lors du passage d\u2019un support \u00e0 un autre\u00a0?<\/p>\n

Les difficult\u00e9s li\u00e9es \u00e0 la d\u00e9finition du manifeste et \u00e0 l\u2019attribution de ce titre pr\u00e9sentent de nombreux d\u00e9fis lors de l\u2019archivage de ceux-ci. C\u2019est le cas pour les manifestes extra-textuels recens\u00e9s dans ManArt (https:\/\/basemanart.com\/<\/a>), base de donn\u00e9es qui depuis 2012 recueille des manifestes produits \u00e0 partir du d\u00e9but du XXe si\u00e8cle dans le monde entier et dans tous les domaines de la cr\u00e9ation. Une pr\u00e9sentation de la base de donn\u00e9es et de son fonctionnement sera suivie par un temps de discussion con\u00e7u afin de stimuler un libre \u00e9change autour des enjeux des humanit\u00e9s num\u00e9riques, ainsi que de r\u00e9pondre aux questions inh\u00e9rentes \u00e0 la fois \u00e0 la base de donn\u00e9es comme outil de recherche et aux manifestes comme objet d\u2019\u00e9tude prot\u00e9iforme.<\/p>\n

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Programme pr\u00e9visionnel :<\/h3>\n

\u00a0<\/strong>9h-9h25 : \u00ab\u00a0Le manifeste c\u2019est Prot\u00e9e\u201d: histoire et d\u00e9finition du manifeste\u00a0\u00bb (Viviana Birolli) \u2013 visio<\/p>\n

9h25-9h45 : Les manifestes picturaux (Killian Loubiat)<\/p>\n

9h45-10h15 : Les manifestes th\u00e9\u00e2traux (Charlotte Nalin)<\/p>\n

10h15-10h40 : Pr\u00e9sentation de la base ManArt, bilan de stage (Charlotte Nalin)<\/p>\n

10h40-11h : \u00c9change et questions<\/p>\n

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Informations pratiques<\/h3>\n

7 mars 2025, 9h\/11h00<\/p>\n

Universit\u00e9 Paul-Val\u00e9ry Montpellier 3 –\u00a0site Saint-Charles 1, salle STC1-005<\/p>\n

Le s\u00e9minaire sera retransmis en ligne \u00e0 ce lien\u00a0:<\/p>\n

https:\/\/u-paris.zoom.us\/j\/8188935066?pwd=dFdSd3JKRVZoc1ZUc1BmNFI0aUlnUT09<\/a><\/p>\n

(ID de r\u00e9union: 818 893 5066\u00a0; Code secret: 088495)<\/p>\n

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Un \u00e9v\u00e8nement pr\u00e9sent\u00e9 dans le cadre des \u00ab\u00a0Journ\u00e9es Jeunes chercheurs\u00a0\u00bb du Master Th\u00e9\u00e2tre et spectacle vivant (Universit\u00e9 Paul Val\u00e9ry Montpellier 3), en collaboration avec le programme \u00ab\u00a0Corps, textes, images, sons et objets en jeu\u00a0\u00bb du RIRRa 21 de l’UPVM et le CERILAC de l\u2019Universit\u00e9 Paris-Cit\u00e9.<\/p>\n

\"\"<\/p>\n

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\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> QuandLe 7 mars 2025O\u00f9Universit\u00e9 Paul-Val\u00e9ry Montpellier 3\u00a0 – site Saint-Charles 1, salle STC1-005
\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> par Charlotte Nalin, Viviana Birolli et Killian Loubiat Charlotte Nalin pr\u00e9pare un m\u00e9moire de master, sous la direction de Sandrine Le Pors, sur les manifestes th\u00e9\u00e2traux, avec une attention particuli\u00e8re aux ann\u00e9es 1960 et au Living Theatre. Dans le cadre… Lire la suite S\u00e9minaire Mots, gestes, images : les manifestes extra-textuels aux XXe et XXIe si\u00e8cles.<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":5686,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,26,27],"tags":[],"coauthors":[67],"class_list":["post-5685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-evenements-passes","category-seminaire"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=5685"}],"version-history":[{"count":7,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5685\/revisions"}],"predecessor-version":[{"id":6423,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5685\/revisions\/6423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/5686"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=5685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=5685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=5685"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=5685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}