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10 avril 2025 9h<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n
Journ\u00e9e d\u2019\u00e9tudes organis\u00e9e par Hala HABACHE (Universit\u00e9 Paris Cit\u00e9, CERILAC) et Michael ISSA EL HELOU (Universit\u00e9 de Caen, LASLAR)<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Illustration\u00a0:<\/p>\n
Le Liban dans la tourmente<\/em>, [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n Fr\u00e9d\u00e9rique Berthet, <\/strong>Universit\u00e9 Paris Cit\u00e9. Directrice adjointe du CERILAC<\/p>\n Hala Habache, <\/strong>Universit\u00e9 Paris Cit\u00e9 Premier panel : <\/strong>Vers un cin\u00e9ma de guerre : l’histoire du Liban \u00ab\u00a0en direct\u00a0\u00bb Wissam MOUAWAD. Professeur adjoint et pr\u00e9sident du d\u00e9partement de communication de masse, Abu Dhabi University. Hady ZACCAK. Doctorant en cotutelle \u00e0 l\u2019Universit\u00e9 Paris 1, Panth\u00e9on-Sorbonne et\u00a0Universit\u00e9 Saint-Joseph de Beyrouth, IESAV. Deuxi\u00e8me panel : <\/strong>Histoire de luttes : un cin\u00e9ma au f\u00e9minin ? Sabina NASSER. Docteure en \u00c9tudes cin\u00e9matographiques et audiovisuelles, Enseignante \u00e0 UPV Montpellier 3. Mathilde ROUXEL. Historienne du cin\u00e9ma, programmatrice, sp\u00e9cialiste des cin\u00e9mas du monde arabe. <\/p>\n Troisi\u00e8me panel<\/strong> : Esth\u00e9tique militante du cin\u00e9ma libanais Lola MAUPAS. Doctorante en \u00c9tudes cin\u00e9matographiques \u00e0 l\u2019IAO – ENS de Lyon. Raja TAWIL. Chercheur associ\u00e9 au laboratoire de recherche RIRRA21, Universit\u00e9 Paul Val\u00e9ry, Montpellier. Cin\u00e9ma de guerre au liban <\/em>(Cinema of War in Lebanon<\/em>, Hady ZACCAK, 2003)<\/p>\n En 1975, la guerre du Liban commence. Maroun Baghdadi r\u00e9alise son premier long m\u00e9trage Beirut ya Beirut<\/em>. La guerre a-t-elle donn\u00e9 une identit\u00e9 au cin\u00e9ma libanais ? Production de documentaires, films d’action, films d’auteur, coproductions, \u00e9migration…. Depuis 1975, la guerre reste un sujet majeur pour les longs m\u00e9trages tourn\u00e9s au Liban. Voici l’Histoire et les histoires de la guerre et du cin\u00e9ma.<\/p>\n Conserver, restaurer et diffuser le cin\u00e9ma libanais aujourd\u2019hui<\/em><\/p>\n Avec Sarah HAJJAR (Programmatrice et Fondatrice du Festival du film libanais en France), Mathilde ROUXEL (Programmatrice et Directrice g\u00e9n\u00e9rale du projet de restauration et pr\u00e9sidente de l\u2019Association de Jocelyne Saab) et\u00a0Manal ZAKARIA (Archiviste, restaurateur et r\u00e9alisateur)<\/p>\n Mod\u00e9r\u00e9e par<\/strong> N\u00e9m\u00e9sis SROUR (Chercheuse en anthropologie et ethnologie)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Hala Habache<\/strong> : hala.habache@etu.u-paris.fr<\/a><\/p>\n
Jocelyne Saab (1975)<\/p>\nProgramme<\/h3>\n
09h00 Accueil<\/h4>\n
09h15 Mot d\u2019ouverture<\/h4>\n
09h30 Introduction de la journ\u00e9e<\/h4>\n
Michael Issa El Helou, <\/strong>Universit\u00e9 de Caen<\/p>\n\n
<\/em>Pr\u00e9sidence : Michael Issa El Helou\u00a0<\/strong><\/p>\n<\/blockquote>\n09h45<\/h4>\n
La guerre avant la guerre : \u00c0 propos de \u201cCent visages pour un seul jour\u201d (1972) de Christian Ghazi<\/em><\/p>\n10h15<\/h4>\n
Filmer la Guerre de Deux ans en pleine guerre<\/em><\/p>\n11h00 Pause<\/h4>\n
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<\/em>Pr\u00e9sidence : Fr\u00e9d\u00e9rique Berthet<\/strong><\/p>\n<\/blockquote>\n11h15<\/h4>\n
Entre m\u00e9moire et oubli : les personnages f\u00e9minins comme gardiennes de l’histoire dans le cin\u00e9ma de Heiny Srour.\u00a0<\/em><\/p>\n11h45<\/h4>\n
La guerre du Liban depuis l\u2019int\u00e9rieur et depuis l\u2019ext\u00e9rieur\u00a0: quatre regards de quatre femmes documentaristes.<\/em><\/p>\n12h30 Pause d\u00e9jeuner<\/h4>\n
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<\/em>Pr\u00e9sidence :\u00a0 Hala Habache\u00a0<\/strong><\/p>\n<\/blockquote>\n14h00<\/h4>\n
Images de r\u00e9sistances pendant la guerre civile libanaise. Un cin\u00e9ma d\u00e9colonial ?\u00a0<\/em><\/p>\n14h30<\/h4>\n
L’\u00e9volution des m\u0153urs de la soci\u00e9t\u00e9 libanaise pendant la guerre civile, une analyse \u00e0 l\u2019aune des syst\u00e8mes de censure cin\u00e9matographique.<\/em><\/p>\n15h15 Pause;<\/h4>\n
15h30 Projection de film\u00a0<\/strong><\/h4>\n
16h15 Table ronde<\/strong><\/h4>\n
Contact :<\/h3>\n