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\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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L\u2019id\u00e9e est de penser les rapports entre social et politique avec le cin\u00e9ma. Il ne s\u2019agit donc pas de penser le cin\u00e9ma politique et le cin\u00e9ma social ainsi que leurs rapports \u2013 et, partant, il n\u2019est pas question ici d\u2019un travail d\u2019histoire du cin\u00e9ma qui chercherait \u00e0 d\u00e9terminer l\u2019\u00e9mergence de ces deux cat\u00e9gories (\u00ab film social \u00bb, \u00ab film politique \u00bb), leurs rapports et leurs transformations au cours des ann\u00e9es. Il s\u2019agit donc de partir de la philosophie, donc des cat\u00e9gories de social et politique, dans leur ind\u00e9termination et dans les rapports qu\u2019elles entretiennent. Et, \u00e0 l\u2019aune de ce point de d\u00e9part, il s\u2019agit de prendre le cin\u00e9ma comme illustration.<\/p>\n
Pour cette raison, il n\u2019y a pas de limitation du corpus cin\u00e9matographique (toutes les cin\u00e9matographies sont donc autoris\u00e9es) \u2013 c\u2019est-\u00e0-dire du cin\u00e9ma que, en outre, on entend ici comme l\u2019audiovisuel en g\u00e9n\u00e9ral, de sorte qu\u2019il peut tout autant s\u2019agir de films que de s\u00e9ries, de documentaires, de clips vid\u00e9o ou de publicit\u00e9s.<\/p>\n
Voil\u00e0 la premi\u00e8re verbalisation de l\u2019id\u00e9e : le cin\u00e9ma appara\u00eet ici d\u2019abord comme un m\u00e9dium qui peut exemplifier des questions et des th\u00e8ses au sein d\u2019une histoire particuli\u00e8re, il peut donc rendre sensible ce qui est abstrait.<\/p>\n
Deuxi\u00e8me verbalisation de l\u2019id\u00e9e : On pourra aller plus loin en disant que le cin\u00e9ma (l\u2019audiovisuel) ne se contente pas d\u2019illustrer des id\u00e9es abstraites \u2013 mais qu\u2019il pense (ou du moins peut penser) les questions politiques et sociales (et le rapport entre les deux, qui est proprement ce qui nous int\u00e9resse ici). On dira, en ce sens, que le cin\u00e9ma ne constitue pas seulement une exemplification d\u2019id\u00e9es qu\u2019on aurait d\u00e9j\u00e0, mais qu\u2019il fraye un chemin par les m\u00e9dias qu\u2019il utilise (l\u2019audiovisuel), qu\u2019il produit une pens\u00e9e, qu\u2019il suscite une verbalisation de ce qu\u2019il montre et qu\u2019il nous aide \u00e0 conceptualiser des id\u00e9es sur les rapports entre social et politique.<\/p>\n
Troisi\u00e8me verbalisation de l\u2019id\u00e9e : Si donc on ne part pas des cin\u00e9ma social et politique, c\u2019est-\u00e0-dire de ce qui se donne comme tel par et dans l\u2019intention auctoriale, en somme, par une \u00e9tiquette, il est int\u00e9ressant de voir si, \u00e0 l\u2019aune d\u2019un r\u00e9seau conceptuel emprunt\u00e9 \u00e0 la philosophie sociale et\/ou aux sciences sociales, on peut proposer un crit\u00e8re qui permette de distinguer, au moins de fa\u00e7on ponctuelle sur tel corpus cin\u00e9matographique ou tel type de films, un film politique d\u2019un film social.<\/p>\n
C\u2019est intentionnellement que nous restons vagues sur les notions de social et de politique, dont il s\u2019agit pr\u00e9cis\u00e9ment d\u2019explorer la richesse s\u00e9mantique, la seule chose exig\u00e9e \u00e9tant de th\u00e9matiser leurs rapports, \u00e0 l\u2019aune des hypoth\u00e8ses qu\u2019on peut trouver tout autant dans la philosophie (politique, sociale) que dans les sciences sociales.<\/p>\n
T\u00e9l\u00e9charger le programme des trois jours<\/a><\/p>\n \u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″][et_pb_row _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n [\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ header_level=\u00a0\u00bbh4″ border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb]<\/p>\n [\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a9 Tous droits r\u00e9serv\u00e9s PRESENTATIONL\u2019id\u00e9e est de penser les rapports entre social et politique avec le cin\u00e9ma. Il ne s\u2019agit donc pas de penser le cin\u00e9ma politique et le cin\u00e9ma social ainsi que leurs rapports \u2013 et, partant, il n\u2019est pas question ici d\u2019un travail d\u2019histoire du cin\u00e9ma qui chercherait \u00e0 d\u00e9terminer l\u2019\u00e9mergence de ces… Lire la suite Colloque \u00ab\u00a0Penser les rapports entre le social et le politique avec le cin\u00e9ma\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":5786,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,21,26],"tags":[],"coauthors":[68],"class_list":["post-5775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-colloque","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=5775"}],"version-history":[{"count":4,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5775\/revisions"}],"predecessor-version":[{"id":5785,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/5775\/revisions\/5785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/5786"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=5775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=5775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=5775"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=5775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00c0<\/span> lire aussi<\/h2>\n