{"id":6280,"date":"2025-10-20T16:55:03","date_gmt":"2025-10-20T14:55:03","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=6280"},"modified":"2025-10-21T09:31:44","modified_gmt":"2025-10-21T07:31:44","slug":"theoreme-n39-quest-ce-que-le-virtuel-lieux-dancrage","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/theoreme-n39-quest-ce-que-le-virtuel-lieux-dancrage\/","title":{"rendered":"Th\u00e9or\u00e8me n\u00b039 \u2013 \u00ab Qu\u2019est-ce que le virtuel ? Lieux d\u2019ancrage \u00bb"},"content":{"rendered":"

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Parution le\u00a023 octobre 2025\u00a0du\u00a0num\u00e9ro 39 de la revue\u00a0Th\u00e9or\u00e8me<\/i>\u00a0\u2013\u00a0\u00ab Qu\u2019est-ce que le virtuel ? Lieux d\u2019ancrage \u00bb<\/i>\u00a0\u2013 aux\u00a0Presses Sorbonne Nouvelle.<\/strong><\/div>\n

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Issues d\u2019une recherche collective men\u00e9e depuis 2018 dans le cadre du programme international\u00a0\u00ab Les lieux du virtuel \u00bb <\/i>(IRCAV, Sorbonne Nouvelle \/ Universit\u00e9 de G\u00e9rone \/ Universit\u00e9 de Chicago), les \u00e9tudes ici r\u00e9unies proposent une r\u00e9flexion autour du\u00a0concept de virtuel\u00a0dans des champs disciplinaires vari\u00e9s (esth\u00e9tique, histoire et sociologie du cin\u00e9ma et des formes filmiques et m\u00e9diatiques contemporaines, philosophie, histoire des techniques, th\u00e9ories des nouveaux m\u00e9dias).\u00a0Elles interrogent la question de l\u2019<\/span>ancrage du virtuel<\/span>\u00a0<\/span>dans des lieux \u00e0 la fois concrets (dispositif technologique, corps, site, r\u00e9seau, son spatialis\u00e9) et conceptuels (th\u00e9ories et esth\u00e9tiques). Sans r\u00e9duire le virtuel au seul \u00ab digital \u00bb, il s\u2019agit d\u2019en montrer le potentiel d\u2019action et de pens\u00e9e.<\/span><\/div>\n
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Le recueil retrace d\u2019abord la\u00a0g\u00e9n\u00e9alogie du concept, envisag\u00e9 comme un outil th\u00e9orique de l\u2019analyse filmique, avant de l\u2019historiciser \u00e0 travers l\u2019\u00e9tude du\u00a0cin\u00e9ma des premiers temps\u00a0et du\u00a0cin\u00e9ma exp\u00e9rimental, puis de l\u2019appliquer \u00e0 l\u2019analyse des\u00a0formes contemporaines\u00a0: cin\u00e9ma num\u00e9rique, r\u00e9alit\u00e9s virtuelle, mixte et augment\u00e9e, performance,\u00a0alternate reality games<\/i>, jeux vid\u00e9o, cyberspace, streaming et web.<\/div>\n

Avec les contributions de : Jacques Aumont, Arnaud Bouaniche, Marc Downie, Katarina Fuchs, Patrick Jagoda, Jean-Baptiste Lenglet, Olga Kobryn, Marie Martin, Carolina Martinez-Lopez, Jean-Baptiste Massuet, Macha Ovtchinnikova, Carmen Pardo-Salgado, Agathe Presselin, Angel Quintana, D. N. Rodowick, L\u00e9o Souill\u00e9s-D\u00e9bat, Guillaume Soulez, \u00c9ric Thouvenel.<\/p>\n

T\u00e9l\u00e9charger la table des mati\u00e8res<\/a><\/p>\n

T\u00e9l\u00e9charger la couverture et le quatri\u00e8me couverture<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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