[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ text_orientation=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n
R\u00e9sum\u00e9 de th\u00e8se<\/h1>\n
L\u2019ensemble des oeuvres de Tolkien li\u00e9es \u00e0 l\u2019univers invent\u00e9 d\u2019Arda est souvent d\u00e9crit comme la cr\u00e9ation d\u2019un monde imaginaire. Pourtant, au-del\u00e0 de son apparente \u00e9vidence, l\u2019emploi du terme \u00ab monde \u00bb, dont la d\u00e9finition n\u2019est pas toujours claire, entretient une vision fantasm\u00e9e de l\u2019oeuvre de Tolkien comme une entreprise d\u00e9miurgique gratuite. Dans la pr\u00e9sente th\u00e8se, on examine, \u00e0 travers l\u2019exemple des bandes dessin\u00e9es humoristiques et parodiques fran\u00e7aises, la mani\u00e8re dont cette tendance de r\u00e9ception a entra\u00een\u00e9 la reconfiguration du genre fantasy <\/i>autour d\u2019une injonction \u00e0 cr\u00e9er des mondes imaginaires cr\u00e9dibles. Les m\u00e9canismes de cette reconfiguration g\u00e9n\u00e9rique sont analys\u00e9s depuis la perspective de la narratologie postclassique. En particulier, les outils de la narratologie cognitive et transm\u00e9diale permettent de mettre en \u00e9vidence un glissement de la conception des univers imaginaires, allant de leur fonctionnement basique comme storyworlds<\/i>, consistant \u00e0 fournir un ensemble d\u2019informations qui permettent la compr\u00e9hension du r\u00e9cit, vers la vision en partie fantasm\u00e9e des \u00ab mondes \u00bb comme cr\u00e9ations autonomes, d\u00e9passant voire transcendant le travail narratif et litt\u00e9raire. La mise en \u00e9vidence de ce glissement permet de comprendre pourquoi l\u2019humour de la fantasy <\/i>cible souvent sp\u00e9cifiquement les processus d\u2019invention de monde \u00ab \u00e0 la Tolkien \u00bb (worldbuilding et worldmaking). Au-del\u00e0 de ce cas, notre \u00e9tude apporte un \u00e9clairage plus large sur les pratiques actuelles de cr\u00e9ation reposant sur la mise en valeur des univers invent\u00e9s, notamment dans les adaptations ou extensions narratives d\u2019oeuvres dans les genres contemporains de l\u2019imaginaire.<\/p>\n
Mots-cl\u00e9s :<\/p>\n
Tolkien, storyworld<\/i>, narratologie cognitive, narratologie transm\u00e9diale, fantasy<\/i>, genre litt\u00e9raire, bande dessin\u00e9e, parodie.<\/p>\n <\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Titre de th\u00e8seDe Tolkien \u00e0 la bande dessin\u00e9e humoristique fran\u00e7aise : une \u00e9tude narratologique\u00a0des mondes invent\u00e9s\u00a0de fantasy\u00a0par Laurence Lebourg R\u00e9sum\u00e9 de th\u00e8se L\u2019ensemble des oeuvres de Tolkien li\u00e9es \u00e0 l\u2019univers invent\u00e9 d\u2019Arda est souvent d\u00e9crit comme la cr\u00e9ation d\u2019un monde imaginaire. Pourtant, au-del\u00e0 de son apparente \u00e9vidence, l\u2019emploi du terme \u00ab monde \u00bb, dont la… Lire la suite Soutenance de th\u00e8se \u00ab\u00a0De Tolkien \u00e0 la bande dessin\u00e9e humoristique fran\u00e7aise : une \u00e9tude narratologique des mondes invent\u00e9s de fantasy\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":5873,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,1,69],"tags":[],"coauthors":[68],"class_list":["post-6449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-cerilac","category-soutenance-de-these"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=6449"}],"version-history":[{"count":2,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6449\/revisions"}],"predecessor-version":[{"id":6451,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6449\/revisions\/6451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/5873"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=6449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=6449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=6449"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=6449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Jury de th\u00e8se<\/h1>\n
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Horaire et Lieu de soutenance<\/h1>\n
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