{"id":6500,"date":"2025-11-27T16:24:47","date_gmt":"2025-11-27T15:24:47","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=6500"},"modified":"2025-11-27T16:47:38","modified_gmt":"2025-11-27T15:47:38","slug":"l-oeil-distrait-figures-et-contextes-de-la-dispersion-du-regard-emmanuelle-andre-nathalie-delbard","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/l-oeil-distrait-figures-et-contextes-de-la-dispersion-du-regard-emmanuelle-andre-nathalie-delbard\/","title":{"rendered":"L’oeil distrait – Figures et contextes de la dispersion du regard – Emmanuelle Andr\u00e9, Nathalie Delbard"},"content":{"rendered":"

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\u00a9 image tir\u00e9e du film Mademoiselle Paradis<\/em> de Marie-Laure Cazin, 2014<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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D\u00e8s lors qu\u2019elle n\u2019est pas per\u00e7ue n\u00e9gativement, la distraction s\u2019av\u00e8re capable de mettre en lumi\u00e8re des formes in\u00e9dites de perception. L\u2019oeil distrait sert ici de levier th\u00e9orique pour revoir photographies, peintures et films et d\u00e9signe une op\u00e9ration visuelle capable de dessiner des circuits d\u2019attention ou de s\u2019en extraire. \u00c0 partir de l\u2019\u00e9tude d\u00e9taill\u00e9e d\u2019images fixes et mobiles, la distraction est comprise comme une forme de l\u2019exp\u00e9rience sensible que notre environnement nous incite \u00e0 consid\u00e9rer avec un oeil neuf.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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