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La qu\u00eate de Hala Habache ne cherche pas \u00e0 donner un sens \u00e0 l\u2019exil, qu\u2019il s\u2019agisse de ses pays multiples Liban\/Syrie\/Palestine\/France, de son propre corps de femme-enfant ou de villes compl\u00e9mentaires-antagoniques. C\u2019est l\u2019entit\u00e9 po\u00e8me qui est porteuse de la mutation o\u00f9 l\u2019encre et le sang se conjuguent, o\u00f9 la lib\u00e9ration est l\u2019aventure en tant que telle. La vis\u00e9e n\u2019est pas litt\u00e9raire, n\u2019est pas un rem\u00e8de, c\u2019est la floraison qui rec\u00e8le le d\u00e9sir dans la maille du texte. Comme l\u2019aube, affranchie de s\u00e9duction factice, la s\u00e8ve nouvelle est cueillie par la parole-cellule, par le chant des pores. Les m\u00e9andres de la langue et du souffle diffusent dans un m\u00eame \u00e9lan. Ce deuxi\u00e8me recueil de Hala Habache est un tournant s\u00e9mantique, la refonte de soi par les poussi\u00e8res pr\u00e9serv\u00e9es.
Michel Cassir<\/div>\n
T\u00e9l\u00e9charger la table des mati\u00e8res<\/a><\/p>\n T\u00e9l\u00e9charger la couverture et le quatri\u00e8me couverture<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbD\u00e9tails\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ 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en moiplus indispensable que le c\u0153ur qui batchaque respiration est une… Lire la suite Poussi\u00e8res de sens<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6591,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,23,71],"tags":[],"coauthors":[68],"class_list":["post-6590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac","category-en-librairie","category-publication"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=6590"}],"version-history":[{"count":3,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6590\/revisions"}],"predecessor-version":[{"id":6603,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6590\/revisions\/6603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/6591"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=6590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=6590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=6590"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=6590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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