
{"id":6682,"date":"2026-02-12T14:53:53","date_gmt":"2026-02-12T13:53:53","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=6682"},"modified":"2026-05-13T17:27:30","modified_gmt":"2026-05-13T15:27:30","slug":"aac-colloque-la-vague-esthetiques-imaginaires-et-savoirs-dun-monde-en-debordement","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/aac-colloque-la-vague-esthetiques-imaginaires-et-savoirs-dun-monde-en-debordement\/","title":{"rendered":"AAC Colloque : \u00ab LA VAGUE. Esth\u00e9tiques, imaginaires et savoirs d\u2019un monde en d\u00e9bordement \u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"et_pb_column et_pb_column_3_4 et_pb_column_6 et_pb_css_mix_blend_mode_passthrough\">\n<div id=\"contenu\" class=\"et_pb_module et_pb_text et_pb_text_3 et_pb_bg_layout_light et_pb_text_align_left\">\n<div class=\"et_pb_text_inner\">\n<p>Dans le cadre de la Transversale \u00e9cocritique \/ \u00e9copo\u00e9tique du CERILAC (UFR LAC, Universit\u00e9 Paris Cit\u00e9), ce colloque souhaite ouvrir un espace de r\u00e9flexion interdisciplinaire autour de la vague. Colloque organis\u00e9 les 5 et 6 novembre 2026.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2026\/02\/Sans-titre.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text admin_label=\u00a0\u00bbTexte image\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbtexte-image\u00a0\u00bb background_color=\u00a0\u00bbrgba(242,242,242,0)\u00a0\u00bb custom_margin=\u00a0\u00bb|-15px||\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><a href=\"https:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2026\/02\/Appel-a\u0300-Communications_Vague-060226.pdf\">T\u00e9l\u00e9charger l&rsquo;appel au format PDF<\/a><\/p>\n<p>La vague est l\u2019une des manifestations les plus visibles et les plus myst\u00e9rieuses de l\u2019\u00e9l\u00e9ment Eau. Toujours reconnaissable mais jamais identique, forme passag\u00e8re et pourtant insistante, la vague condense la dynamique propre aux milieux aquatiques : \u00e9nergie, d\u00e9placement, transformation. \u00c0 la fois douce et d\u00e9vastatrice, elle mobilise une riche tradition symbolique et imaginaire qui traverse les arts, les litt\u00e9ratures et la pens\u00e9e. Qu\u2019elle se pr\u00e9sente comme motif, structure, sensation, rythme ou puissance, la vague engage une esth\u00e9tique du mouvement et de l\u2019instabilit\u00e9. Si Bachelard a puissamment \u00e9clair\u00e9 l\u2019imaginaire de l\u2019eau douce et terrestre, en revanche la vague marine, les gerbes explosives du littoral, la fougue oc\u00e9anique demeurent largement ouvertes \u00e0 une exploration esth\u00e9tique et po\u00e9tique.<\/p>\n<p>Ce colloque s&rsquo;adresse aux chercheuses et chercheurs travaillant sur les litt\u00e9ratures, les arts visuels, la performance, le cin\u00e9ma, la musique, les humanit\u00e9s environnementales \u00e0 dominante esth\u00e9tique, ainsi qu\u2019\u00e0 celles et ceux qui, en philosophie ou en th\u00e9orie esth\u00e9tique, interrogent les imaginaires de l\u2019eau, s\u2019int\u00e9ressent aux esth\u00e9tiques de la fluidit\u00e9 et de la puissance, de la motion et de la m\u00e9tamorphose.<\/p>\n<p>Il souhaite explorer les repr\u00e9sentations, les formes et les imaginaires de la vague, les figures de l\u2019eau en mouvement, les sensations d\u2019immersion, submersion ou de d\u00e9bordement, les rythmes du flux et du reflux.<\/p>\n<p>Si l\u2019usage m\u00e9taphorique du mot <em>vague<\/em> est tr\u00e8s r\u00e9pandu dans le champ social et politique, nous souhaiterions centrer ce colloque sur la vague comme ph\u00e9nom\u00e8ne aquatique, dans sa mat\u00e9rialit\u00e9 autant que dans sa puissance figurative.<\/p>\n<ol>\n<li><strong> Repr\u00e9senter la vague : formes, motifs, images<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Figures de la vague dans les litt\u00e9ratures (prose, po\u00e9sie), les r\u00e9cits maritimes, les \u00e9critures de catastrophe hydrique.<\/li>\n<li>Repr\u00e9sentations visuelles : peinture, photographie, cin\u00e9ma, vid\u00e9o, arts num\u00e9riques.<\/li>\n<li>La vague comme motif plastique : surfaces, textures, lignes, instabilit\u00e9s, d\u00e9formations.<\/li>\n<li>Esth\u00e9tiques du flux, du ressac, du d\u00e9bordement.<\/li>\n<li>Enjeux techniques de l\u2019appr\u00e9hension et de la restitution artistique de la vague.<\/li>\n<\/ul>\n<ol start=\"2\">\n<li><strong> Sentir la vague : exp\u00e9riences sensibles, rythmes, sensations<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Immersion, vertige, contact, regards, \u00e9coutes de l\u2019eau en mouvement.<\/li>\n<li>\u00c9criture et composition inspir\u00e9es par les rythmes ondulatoires.<\/li>\n<li>Corps, gestes et perceptions dans la chor\u00e9graphie ou la performance.<\/li>\n<\/ul>\n<ol start=\"3\">\n<li><strong> Penser la vague : philosophie, esth\u00e9tique, po\u00e9tique de l\u2019eau<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Po\u00e9tiques et imaginaires liquides li\u00e9s \u00e0 la vague.<\/li>\n<li>Ontologie du mouvement, formes instables, temporalit\u00e9s fluides.<\/li>\n<li>Symboliques de l\u2019eau en mouvement.<\/li>\n<\/ul>\n<ol start=\"4\">\n<li><strong> Vague et \u00e9v\u00e9nement : r\u00e9cits de submersion et esth\u00e9tiques de la catastrophe hydrique<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Tsunamis et autres d\u00e9luges ou ch\u00e2timents divins par la vague dans les \u0153uvres litt\u00e9raires et artistiques.<\/li>\n<li>Esth\u00e9tiques du pathos, de la vuln\u00e9rabilit\u00e9, du danger, de la perte.<\/li>\n<\/ul>\n<ul>\n<li>M\u00e9moire des \u00e9v\u00e9nements hydriques.<\/li>\n<\/ul>\n<ol start=\"5\">\n<li><strong> Cr\u00e9ation artistique et recherche-cr\u00e9ation<\/strong><\/li>\n<\/ol>\n<ul>\n<li>Installations, performances, pi\u00e8ces sonores ou visuelles centr\u00e9es sur le mouvement de l\u2019eau et la vague.<\/li>\n<li>Exp\u00e9rimentations autour de la fluidit\u00e9, de l\u2019instabilit\u00e9, des rythmes aquatiques.<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Modalit\u00e9s de soumission<\/strong><\/p>\n<p>Les propositions (env. <strong>2 000 signes<\/strong>, accompagn\u00e9es d\u2019un titre et d\u2019une courte bio-bibliographie) sont \u00e0 envoyer d\u2019ici au <strong>15 avril 2026 <\/strong>aux adresses suivantes :\u00a0<\/p>\n<p><a href=\"mailto:gaspard.delon@gmail.com\">gaspard.delon@gmail.com<\/a><\/p>\n<p><a href=\"mailto:patricia-luce.limido@u-paris.fr\">patricia-luce.limido@u-paris.fr<\/a>\u00a0<\/p>\n<p><a href=\"mailto:cecilenarjoux.univpariscite@gmail.com\">cecilenarjoux.univpariscite@gmail.com<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>Dur\u00e9e pr\u00e9visionnelle des communications :<\/strong> 25 mn.<\/p>\n<p><strong>Lieu :<\/strong> Universit\u00e9 Paris Cit\u00e9 \u2013 UFR LAC, B\u00e2timent des Grands Moulins (Paris 13<sup>e<\/sup>).<\/p>\n<p>\u00a0<\/p>\n<p><strong>Pistes bibliographiques et artistiques indicatives et non exhaustives<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Essais <\/strong><\/p>\n<ul>\n<li>Bachelard, Gaston, <em>L\u2019Eau et les r\u00eaves<\/em>, 1942.<\/li>\n<li>Bouat-Ferlier, Vincent et Mannoni, Laurent (dir.), <em>Objectif mer. L\u2019oc\u00e9an film\u00e9<\/em>, Paris, Mus\u00e9e national de la marine \/ LienArt, 2023.<\/li>\n<li>Cohen, Margaret, <em>The Underwater Eye. How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy<\/em>, Princeton &amp; Oxford, Princeton University Press, 2022.<\/li>\n<li>Fl\u00e9cheux, C\u00e9line, \u00ab\u00a0<em>La vague, Courbet et la photographie<\/em>\u00a0\u00bb, dans <em>L\u2019eau, les eaux<\/em>, X<sup>es <\/sup>Entretiens de la Garenne, PUR, 2016.<\/li>\n<li>Lemari\u00e9, J\u00e9r\u00e9mie, <em>Surf, Histoire d\u2019une conqu\u00eate<\/em>, Arkh\u00e9 \u00e9dition, 2021.<\/li>\n<li>Nouqueret, Pierre, <em>Le Fabuleux spectacle de l\u2019oc\u00e9an<\/em>, Aubanel, 2009.<\/li>\n<li>Thomas, Tony, <em>The Cinema of the Sea. A Critical Survey and Filmography<\/em>, Londres, McFarland, 1988.<\/li>\n<li>Thouvenel, \u00c9ric, <em>Les Images de l\u2019eau dans le cin\u00e9ma fran\u00e7ais des ann\u00e9es 20<\/em>, Rennes, PUR, 2010.<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>R\u00e9cits, romans, BD<\/strong><\/p>\n<ul>\n<li>Carr\u00e8re, Emmanuel<em>, D\u2019autres vies que la mienne<\/em>, 2009.<\/li>\n<li>Desjardins, Antoine, \u00ab\u00a0A boire de bout\u00a0\u00bb, <em>Indices des feux<\/em>, 2021.<\/li>\n<li>Dungo, AJ, <em>In Waves<\/em>, Casterman, 2019 (BD).<\/li>\n<li>Kerangal, Maylis (de), <em>R\u00e9parer les vivants<\/em>, 2014.<\/li>\n<li>Mauvignier, Laurent, <em>Autour du monde<\/em>, Minuit, 2014.<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Arts plastiques<\/strong><\/p>\n<ul>\n<li>A\u00efvazovski, <em>La Neuvi\u00e8me Vague<\/em>, 1850.<\/li>\n<li>Bernard, Fred, <em>Surf<\/em>, Albin Michel, 2023.<\/li>\n<li>Celmins, s\u00e9ries <em>Ocean<\/em>, depuis 1975 (Tate).<\/li>\n<li>Courbet, <em>La Vague<\/em> (s\u00e9rie, 1869-1870).<\/li>\n<li>Hokusai, <em>La Grande vague de Kanagawa<\/em>, v. 1830.<\/li>\n<li>Horton, William Thomas, <em>La vague<\/em>, 1898.<\/li>\n<li>Lansac, Pierre<em>, La voil\u00e0\u00a0!<\/em>\u00a0(<a href=\"https:\/\/www.pierrelansac.fr\/la-voila\/\">https:\/\/www.pierrelansac.fr\/la-voila\/<\/a>).<\/li>\n<li>Le Gray, Gustave, <em>La grande vague de S\u00e8te<\/em>, 1856.<\/li>\n<li>Perconte, Jacques, <em>La vague<\/em> (en hommage \u00e0 Courbet)\u00a0:<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.jacquesperconte.com\/oe?195\">https:\/\/www.jacquesperconte.com\/oe?195<\/a><\/p>\n<p><a href=\"https:\/\/www.jacquesperconte.com\/oe?232\">https:\/\/www.jacquesperconte.com\/oe?232<\/a><\/p>\n<p><a href=\"https:\/\/www.jacquesperconte.com\/oe?213\">https:\/\/www.jacquesperconte.com\/oe?213<\/a><\/p>\n<ul>\n<li>Robillard, Ga\u00ebtan, <em>La vague dans la matrice<\/em>, 2019, installation vid\u00e9o.<\/li>\n<\/ul>\n<ul>\n<li>Seignac, <em>La Vague<\/em>, v. 1908.<\/li>\n<li>Turner, peintures marines.<\/li>\n<li>Viola, Bill, <em>Falling water<\/em> (installations video).<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Cin\u00e9ma<\/strong><\/p>\n<ul>\n<li>Curtiz, Michael, <em>L\u2019Arche de No\u00e9<\/em> (1928).<\/li>\n<li>Feist, Felix E., <em>D\u00e9luge<\/em> (1933).<\/li>\n<li>Epstein, Jean, <em>Le Tempestaire<\/em> (1947).<\/li>\n<li>Moritani, Shiro, <em>La Submersion du Japon<\/em> (1973).<\/li>\n<li>Petersen, Wolfgang, <em>Le Bateau<\/em> (1981)\u00a0; <em>En pleine temp\u00eate<\/em> (2000).<\/li>\n<li>Verbinski, Gore, <em>Pirates des Cara\u00efbes. Jusqu\u2019au bout du monde<\/em> (2007).<\/li>\n<li>Miyazaki, Hayao, <em>Ponyo sur la falaise<\/em> (2008).<\/li>\n<li>Emmerich, Roland, <em>2012<\/em> (2009).<\/li>\n<li>Perrin, Jacques et Cluzaud Jacques, <em>Oc\u00e9ans<\/em> (2009).<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Musique<\/strong><\/p>\n<ul>\n<li>Debussy, <em>La mer,<\/em> 1905.<\/li>\n<li>Gou\u00e9, Emile, <em>Wanda<\/em>, <em>Les Jeux de l&rsquo;Oc\u00e9an contre les falaises de Vend\u00e9e<\/em>, 1934.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; _builder_version=\u00a0\u00bb3.19.11&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Dans le cadre de la Transversale \u00e9cocritique \/ \u00e9copo\u00e9tique du CERILAC (UFR LAC, Universit\u00e9 Paris Cit\u00e9), ce colloque souhaite ouvrir un espace de r\u00e9flexion interdisciplinaire autour de la vague. Colloque organis\u00e9 les 5 et 6 novembre 2026.\u00a0 <div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> T\u00e9l\u00e9charger l&rsquo;appel au format PDFLa vague est l\u2019une des manifestations les plus visibles et les plus&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/aac-colloque-la-vague-esthetiques-imaginaires-et-savoirs-dun-monde-en-debordement\/\">Lire la suite<span> AAC Colloque : \u00ab LA VAGUE. Esth\u00e9tiques, imaginaires et savoirs d\u2019un monde en d\u00e9bordement \u00bb<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6684,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,25,1],"tags":[],"coauthors":[68],"class_list":["post-6682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-appels-a-communications","category-cerilac"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=6682"}],"version-history":[{"count":1,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6682\/revisions"}],"predecessor-version":[{"id":6685,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6682\/revisions\/6685"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/6684"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=6682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=6682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=6682"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=6682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}