
{"id":6737,"date":"2026-02-25T10:18:46","date_gmt":"2026-02-25T09:18:46","guid":{"rendered":"https:\/\/u-paris.fr\/cerilac\/?p=6737"},"modified":"2026-05-13T17:27:42","modified_gmt":"2026-05-13T15:27:42","slug":"le-manifeste-seclate-itineraires-2026","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/cerilac\/le-manifeste-seclate-itineraires-2026\/","title":{"rendered":"\u00ab\u00a0Le manifeste s&rsquo;\u00e9clate\u00a0\u00bb (Itin\u00e9raires, 2026)"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.22&Prime; next_background_color=\u00a0\u00bb#000000&Prime;][et_pb_row custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb _builder_version=\u00a0\u00bb3.22&Prime; width=\u00a0\u00bb72.5%\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2026\/02\/iltc_2024_2_manifeste_image_accroche-small480.jpg\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb|2px||||\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p>[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text module_id=\u00a0\u00bbcontenu\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; z_index_tablet=\u00a0\u00bb500&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime;]<\/p>\n<p>Retrouvez le nouveau volume d&rsquo;Itin\u00e9raire en ligne autour du th\u00e8me\u00a0<\/p>\n<h1 id=\"publiTitle\" style=\"text-align: center\"><a href=\"https:\/\/journals.openedition.org\/itineraires\/17527\"><span class=\"title\" dir=\"ltr\">Le manifeste s\u2019\u00e9clate<\/span><\/a><\/h1>\n<div id=\"publiSubtitle\" style=\"text-align: center\"><a href=\"https:\/\/journals.openedition.org\/itineraires\/17527\">R\u00e9volutions contemporaines du manifeste artistique et litt\u00e9raire, entre th\u00e9orie et pratique<\/a><\/div>\n<p>\u00a0<\/p>\n<div id=\"intro-17527-fr\" class=\"tabContent ltr\" lang=\"fr\" xml:lang=\"fr\">\n<p>\u00ab\u00a0Le manifeste est mort, vive le manifeste\u00a0!\u00a0\u00bb Aujourd\u2019hui plus que jamais, cet adage d\u2019inspiration royaliste affirme toute son actualit\u00e9\u00a0: en d\u00e9pit de sa mort, annonc\u00e9e dans les ann\u00e9es 1980, le manifeste est de retour, dans les lettres, dans les arts, et bien au-del\u00e0. Si d\u00e8s le d\u00e9but des ann\u00e9es 2000 la critique s\u2019accorde sur le constat de ce retour, le territoire du manifeste contemporain reste encore relativement inexplor\u00e9. Comment d\u00e9crire et analyser ces \u00ab\u00a0manifestes apr\u00e8s le manifeste\u00a0\u00bb, dont le caract\u00e8re transversal et les formes largement atypiques rendent caduque la plupart des mod\u00e8les critiques d\u00e9velopp\u00e9s pour les \u00e9tudier, fond\u00e9s exclusivement, le plus souvent, sur les productions des avant-gardes historiques\u00a0? Prenant la suite du num\u00e9ro d\u2019<i>Itin\u00e9raires, 2018<\/i>(1) intitul\u00e9 \u00ab\u00a0Manifeste \u00e0 travers les arts\u00a0: devenirs d\u2019un genre indisciplin\u00e9\u00a0\u00bb, ce num\u00e9ro explore plus sp\u00e9cifiquement, dans le prolongement du projet Manart et de sa base de donn\u00e9es regroupant plus de 750 r\u00e9f\u00e9rences, le vaste panorama des manifestes des ann\u00e9es 1960 jusqu\u2019\u00e0 l\u2019extr\u00eame contemporain, en litt\u00e9rature, mais aussi en design, en photographie ou au cin\u00e9ma, pour tenter de saisir ce genre prot\u00e9iforme en constante \u00e9volution.<\/p>\n<\/div>\n<div id=\"intro-17527-en\" class=\"tabContent hidden ltr\" lang=\"en\" xml:lang=\"en\">\u00a0<\/div>\n<div id=\"ndlr\">\n<h2>Notes de la r\u00e9daction<\/h2>\n<div>\n<p align=\"left\">Expert\u00b7es qui ont particip\u00e9 au num\u00e9ro que le comit\u00e9 de r\u00e9daction remercie chaleureusement :<\/p>\n<p align=\"left\">Catherine Adam, Elara Bertho, Elisa Bricco, Brice Castanon, Claire Chatelet, C\u00e9lia Fernandez, J\u00e9r\u00f4me Glicenstein, Anthony Glinoer, James Horton, Cl\u00e9mence Imbert, Rapha\u00ebl Jaudon, Fabienne Leconte, Pierre Leroux, Catharine Mason, Magali Nachtergael, Herv\u00e9 Serry, Carlos Tello, Ga\u00eblle Th\u00e9val.<\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.22&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime;][et_pb_row _builder_version=\u00a0\u00bb3.22&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; header_level=\u00a0\u00bbh4&Prime; border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb]<\/p>\n<p>[\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Retrouvez le nouveau volume d&rsquo;Itin\u00e9raire en ligne autour du th\u00e8me\u00a0Le manifeste s\u2019\u00e9clateR\u00e9volutions contemporaines du manifeste artistique et litt\u00e9raire, entre th\u00e9orie et pratique\u00a0\u00ab\u00a0Le manifeste est mort, vive le manifeste\u00a0!\u00a0\u00bb Aujourd\u2019hui plus que jamais, cet adage d\u2019inspiration royaliste affirme toute son actualit\u00e9\u00a0: en d\u00e9pit de sa mort, annonc\u00e9e dans les ann\u00e9es 1980, le manifeste est de retour,&hellip; <a class=\"continue\" href=\"https:\/\/u-paris.fr\/cerilac\/le-manifeste-seclate-itineraires-2026\/\">Lire la suite<span> \u00ab\u00a0Le manifeste s&rsquo;\u00e9clate\u00a0\u00bb (Itin\u00e9raires, 2026)<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6740,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,71],"tags":[],"coauthors":[68],"class_list":["post-6737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac","category-publication"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=6737"}],"version-history":[{"count":1,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6737\/revisions"}],"predecessor-version":[{"id":6741,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6737\/revisions\/6741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/6740"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=6737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=6737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=6737"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=6737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}