[et_pb_section bb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ next_background_color=\u00a0\u00bb#000000″][et_pb_row _builder_version=\u00a0\u00bb3.22″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb module_id=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_align=\u00a0\u00bbjustify\u00a0\u00bb header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ text_orientation=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n
Journ\u00e9e d’\u00e9tude \u00ab Sc\u00e8nes de crime. Du fait divers au true crime : documenter, reconstituer, m\u00e9diatiser \u00bb – 9 Avril 2026<\/strong><\/p>\n La journ\u00e9e d\u2019\u00e9tude est organis\u00e9e par Emmanuelle Delano\u00eb-Brun (Universit\u00e9 Sorbonne-Nouvelle, CREW), M\u00e9lissa Gignac (Universit\u00e9 de Lille, CEAC) et Pierre-Olivier Toulza (Universit\u00e9 Paris Cit\u00e9, CERILAC).<\/p>\n Elle s\u2019inscrit dans le cadre des activit\u00e9s scientifiques men\u00e9es conjointement par le Centre d\u2019\u00c9tude des Arts Contemporains (Universit\u00e9 de Lille), le CREW (Universit\u00e9 Sorbonne-Nouvelle) et le CERILAC (Universit\u00e9 Paris Cit\u00e9).<\/p>\n \u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2026\/03\/scene_crime_event.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text module_id=\u00a0\u00bbcontenu\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_align=\u00a0\u00bbjustify\u00a0\u00bb header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″]<\/p>\n Abstract<\/strong><\/p>\n La sc\u00e8ne de crime fait partie de l\u2019imaginaire du fait divers. Reproduite dans les journaux illustr\u00e9s au 19e si\u00e8cle, parfois propos\u00e9e \u00e0 la visite ou reconstitu\u00e9e dans les mus\u00e9es de cire qui font flor\u00e8s dans l\u2019Angleterre victorienne, plus tard utilis\u00e9e en d\u00e9cor pour l\u2019adaptation cin\u00e9matographique de In Cold Blood (Richard Brook, 1967), elle fait l\u2019objet d\u2019une fascination certaine.<\/p>\n Son vocabulaire contemporain \u2013 bande de scotch jaune et noir, marquage \u00e0 la craie, positionnement de drapeaux marquant les indices \u2013 s\u2019est r\u00e9pandu dans les fictions comme dans les s\u00e9ries de true crime, dans un rapport plus ou moins spectacularis\u00e9 et voyeuriste au crime cens\u00e9 faire la distinction entre production mainstream et production plus \u00e9litiste. Cette journ\u00e9e d\u2019\u00e9tude se concentrera sur les dimensions visuelles, m\u00e9diatiques et culturelles de ce topos caract\u00e9ristique des productions m\u00e9diatiques et artistiques qui s\u2019int\u00e9ressent aux faits divers et aux crimes r\u00e9els.<\/p>\n<\/div>\n Programme de la journ\u00e9e<\/strong><\/p>\n Mod\u00e9ration : Jessie Martin<\/em><\/p>\n Laura Tinard (Paris Cit\u00e9\/C\u00e9rilac) Florian Leniaud (Universit\u00e9 Versailles Saint-Quentin-en-Yvelines\/ CHCSC) Mod\u00e9ration : Pierre-Olivier Toulza<\/em><\/p>\n Felipe Linares (Universit\u00e9 Rennes 2\/APP) H\u00e9l\u00e8na Venambre (Sorbonne Nouvelle\/IRCAV) Tha\u00efs Bihour (BnF\/Universit\u00e9 de Lorraine\/LIS) Mod\u00e9ration : Emmanuelle Delano\u00eb-Brun<\/em><\/p>\n Benjamin Campion (ULille\/CEAC) Romane Gorce (Paris 1 Panth\u00e9on Sorbonne\/ ESTCA) Mod\u00e9ration : M\u00e9lissa Gignac<\/em><\/p>\n Hugo Cl\u00e9mot (Universit\u00e9 Gustave Eiffel\/LISAA) Sacha Peluchon (Sorbonne Nouvelle\/IRCAV) Swann Rembert (Sorbonne Nouvelle\/IRCAV) T\u00e9l\u00e9charger le programme en version PDF<\/a><\/p>\n Informations pratiques :\u00a0<\/strong><\/p>\n 9 Avril 2026 – Universit\u00e9 de Lille [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″][et_pb_row _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n [\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ header_level=\u00a0\u00bbh4″ border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Journ\u00e9e d’\u00e9tude \u00ab Sc\u00e8nes de crime. Du fait divers au true crime : documenter, reconstituer, m\u00e9diatiser \u00bb – 9 Avril 2026La journ\u00e9e d\u2019\u00e9tude est organis\u00e9e par Emmanuelle Delano\u00eb-Brun (Universit\u00e9 Sorbonne-Nouvelle, CREW), M\u00e9lissa Gignac (Universit\u00e9 de Lille, CEAC) et Pierre-Olivier Toulza (Universit\u00e9 Paris Cit\u00e9, CERILAC).Elle s\u2019inscrit dans le cadre des activit\u00e9s scientifiques men\u00e9es conjointement par le… Lire la suite Journ\u00e9e d’\u00e9tude \u00ab\u00a0Sc\u00e8nes de crime : du fait divers au true crime\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6800,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,1,70,22],"tags":[],"coauthors":[68],"class_list":["post-6797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-cerilac","category-evenement","category-journee-detude"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=6797"}],"version-history":[{"count":1,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6797\/revisions"}],"predecessor-version":[{"id":6801,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/6797\/revisions\/6801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/6800"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=6797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=6797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=6797"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=6797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Matin<\/h3>\n
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10h00 \u2013 Crimes hors-champ : la sc\u00e8ne de crime comme lieu d\u2019enqu\u00eate et d\u2019interpr\u00e9tation<\/h4>\n
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\u00ab O\u00f9 est la sc\u00e8ne de crime ? Le Parrain<\/em> et l\u2019intrusion du r\u00e9el dans la fiction \u00bb<\/p>\n<\/li>\n
\u00ab La silhouette sans corps : l\u2019aseptisation de la sc\u00e8ne de crime dans le true crime<\/em> am\u00e9ricain \u00bb<\/p>\n<\/li>\n11h15 \u2013 12h35 \u2013 Sc\u00e8nes de crime et m\u00e9moire collective : enjeux historiques et culturels<\/h4>\n
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\u00ab Reconstituer le crime, m\u00e9moire et repr\u00e9sentation dans le cin\u00e9ma de Carlos Saura \u00bb<\/p>\n<\/li>\n
\u00ab La sc\u00e8ne de crime : un \u00e9l\u00e9ment essentiel \u00e0 la patrimonialisation du meurtre des s\u0153urs Papin \u00bb<\/p>\n<\/li>\n
\u00ab Der Lustmord<\/em> : Fascination et mise en sc\u00e8ne du crime sexuel sadique dans l\u2019Allemagne Weimarienne \u00bb<\/p>\n<\/li>\n
\nApr\u00e8s-midi<\/h3>\n
14h00 \u2013 15h00 \u2013 Strat\u00e9gies de repr\u00e9sentation : reconstitution et remploi<\/h4>\n
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\u00ab (Re)tourner au Bataclan : l\u2019attentat du 13 novembre v\u00e9cu de l\u2019int\u00e9rieur dans la mini-s\u00e9rie Des Vivants<\/em> \u00bb<\/p>\n<\/li>\n
\u00ab Sc\u00e8nes de crimes terroristes : circulation, r\u00e9-emploi et reproductions d\u2019images de l\u2019attentat au Bataclan le 13 novembre 2015 dans le documentaire et la fiction \u00bb<\/p>\n<\/li>\n15h20 \u2013 16h40 \u2013 Enqu\u00eate et reconstitution<\/h4>\n
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\u00ab Reconstituer ou d\u00e9couper le r\u00e9el : la sc\u00e8ne de crime entre enqu\u00eate d\u00e9mocratique et violence cin\u00e9matographique \u00bb<\/p>\n<\/li>\n
\u00ab La reconstitution des sc\u00e8nes de crime dans La Reconstitution<\/em> d\u2019Angelopoulos (1970) et Kinetta<\/em> de L\u00e1nthimos (2005) \u00bb<\/p>\n<\/li>\n
\u00ab Arpenter le paysage du crime : Landscape Suicide<\/em> (1986) et Used Innocence<\/em> (1989) de James Benning \u00bb<\/p>\n<\/li>\n
Campus Pont-de-Bois
Maison de la Recherche<\/p>\n\u00c0<\/span> lire aussi<\/h2>\n