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Journ\u00e9e doctorale du CERILAC 2026<\/strong><\/p>\n \u00ab\u00a0L\u2019artiste en sa soci\u00e9t\u00e9. Pour un r\u00e9examen de la figure de l\u2019artiste engag\u00e9\u00a0\u00bb<\/strong><\/p>\n \u00a0<\/strong>Mercredi 17 juin 2026<\/p>\n UNIVERSIT\u00c9 PARIS CIT\u00c9 | Campus des Grands Moulins | La Halle aux Farines<\/p>\n Salle 027C | Rez-de-chauss\u00e9e<\/p>\n 10 rue Fran\u00e7oise Dolto ou 15 esplanade Pierre Vidal-Naquet, Paris 13e<\/p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ src=\u00a0\u00bbhttps:\/\/u-paris.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2026\/05\/20260511_Pellicule-numerique-allers-retours-A3-PRINT.pdf1_.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.22″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text module_id=\u00a0\u00bbcontenu\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_align=\u00a0\u00bbjustify\u00a0\u00bb header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ text_orientation=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n En 1948, dans Qu\u2019est-ce que la litt\u00e9rature ?<\/i>, Sartre pense la figure de l\u2019\u00e9crivain engag\u00e9 et fait de cet engagement le fond v\u00e9ritable de la litt\u00e9rature. L\u2019engagement devient alors, dans la seconde moiti\u00e9 du XXe si\u00e8cle, le v\u00e9ritable sacerdoce de l\u2019artiste. La tradition veut que l\u2019on consid\u00e8re \u00c9mile Zola comme le premier exemple de cette mouvance. Pourtant, en 2000, Beno\u00eet Denis propose, dans son ouvrage Litt\u00e9rature et engagement [<\/i>1]<\/em><\/span>, <\/i>de faire remonter la g\u00e9n\u00e9alogie jusqu\u2019\u00e0 Pascal ; en 2012, Patrick Boucheron et \u00c9tienne Anheim vont plus loin et envisagent d\u2019\u00e9tendre encore l\u2019\u00e9tude de l\u2019engagement en proposant un panorama allant De Dante \u00e0 Rubens [<\/i>2]<\/em><\/span>. Dans la lign\u00e9e de ces remises en perspective temporelles de la figure de l\u2019artiste engag\u00e9, en prenant acte des avanc\u00e9es qu\u2019elles proposent et en nous appuyant sur elles, nous souhaiterions entamer une r\u00e9flexion qui permettrait d\u2019op\u00e9rer une remise en perspective \u201cspatiale\u201d de cette figure, en la resituant dans l\u2019\u00e9paisseur de son espace social. Pour ce faire, plut\u00f4t que d\u2019envisager l\u2019engagement depuis le champ litt\u00e9raire, artistique ou cin\u00e9matographique, comme on a coutume de le faire, nous souhaiterions inverser le point de vue et regarder l\u2019artiste engag\u00e9 du point de vue de la soci\u00e9t\u00e9 dans laquelle il produit et se produit et interroger dans toute leur complexit\u00e9 et leur subtilit\u00e9 les rapports qu\u2019il entretient avec elle par l\u2019interm\u00e9diaire de son art.<\/p>\n \u00a0<\/p>\n Programme de la journ\u00e9e<\/strong><\/p>\n \u00a0<\/p>\n 9h30 <\/strong>Accueil des participant.es<\/p>\n \u00a0<\/p>\n 9h50 <\/strong>Introduction de la journ\u00e9e<\/p>\n \u00a0<\/p>\n Panel 1 L\u2019ENGAGEMENT \u00c0 L\u2019\u00c9PREUVE DE L\u2019HISTOIRE : <\/strong>FIGURES D\u2019ARTISTES EN TENSION<\/strong><\/p>\n \u00a0<\/p>\n Pr\u00e9sidence : Jacques-David Ebguy,\u00a0<\/strong>Professeur des universit\u00e9s en litt\u00e9rature, Universit\u00e9 Paris Cit\u00e9<\/p>\n 10h<\/strong> MARCHER AVEC LE SI\u00c8CLE : STENDHAL OU LE BONAPARTISME CONTRARI\u00c9<\/p>\n Nicolas Chapeau <\/strong>| Doctorant en litt\u00e9rature,\u00a0Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 10h25<\/strong> DESSERTES DU SANG BLEU AU XIXe SI\u00c8CLE : DE LA POLITIQUE DANS LES VEINES, DE STENDHAL \u00c0 RIMBAUD<\/p>\n Romain Charbonnier <\/strong>| Doctorant en histoire de l\u2019art, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 11h<\/strong> Pause<\/p>\n \u00a0<\/p>\n Pr\u00e9sidence : Marie Moss\u00e9, <\/strong>Ma\u00eetresse de conf\u00e9rences en litt\u00e9rature compar\u00e9e et \u00e9tudes germaniques et scandinaves, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 11h15<\/strong> L\u2019ESCAPISME COMME ENGAGEMENT : LA FANTASY <\/em>DE TOLKIEN EN GUERRE POUR LE \u00ab R\u00c9EL OUBLI\u00c9 \u00bb<\/p>\n Laurence Lebourg <\/strong>| Docteure en litt\u00e9rature, chercheuse ind\u00e9pendante<\/p>\n \u00a0<\/p>\n 11h40 <\/strong>PIER PAOLO PASOLINI. L\u2019ENGAGEMENT COMME H\u00c9R\u00c9SIE<\/p>\n Louise Drouin <\/strong>| Doctorante en litt\u00e9rature compar\u00e9e, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 12h15<\/strong> D\u00e9jeuner<\/p>\n \u00a0<\/p>\n Panel 2 EXP\u00c9RIMENTER LE POLITIQUE : FORMES FILMIQUES ET REGARDS <\/strong>F\u00c9MININS DANS LES ANN\u00c9ES 1960 ET 1970<\/strong><\/p>\n \u00a0<\/p>\n Pr\u00e9sidence : Fr\u00e9d\u00e9rique Berthet, <\/strong>Professeure des universit\u00e9s en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9<\/p>\n 14h15<\/strong> ENTRE POLITIQUE ET EXP\u00c9RIMENTATION : POUR UNE M\u00c9THODE D\u2019ANALYSE DU CIN\u00c9MA COMPLEXE DE JOYCE WIELAND<\/p>\n Anna Visentin <\/strong>| Doctorante en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 14h40 <\/strong>IMAGES FLORALES DE LA DOMESTICIT\u00c9 F\u00c9MININE DANS LE CIN\u00c9MA, DES ANN\u00c9ES 1960, ENTRE NOUVELLES VAGUES FILMIQUES ET DEUXI\u00c8ME VAGUE F\u00c9MINISTE<\/p>\n Valentine Charles <\/strong>| Doctorante en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 15h15<\/strong> Pause<\/p>\n \u00a0<\/p>\n Panel 3<\/strong> L\u2019ENGAGEMENT ET SES OBSTACLES<\/strong><\/p>\n \u00a0<\/p>\n Pr\u00e9sidence : Thomas Le Gouge, <\/strong>Ma\u00eetre de conf\u00e9rences en philosophie et histoire de l\u2019art, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 15h30<\/strong> LE PARADOXE D\u2019AMERICAN PSYCHO <\/em>: LA R\u00c9APPROPRIATION MASCULINISTE DE LA SATIRE ENGAG\u00c9E DE MARY HARRON<\/p>\n Alice Grossi <\/strong>| Doctorante en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 15h55 <\/strong>L\u2019ENGAGEMENT FACE \u00c0 LA CR\u00c9ATION<\/p>\n Laura Tinard <\/strong>| Doctorante en recherche et cr\u00e9ation, Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 16h30 <\/strong>Conclusion de la journ\u00e9e<\/p>\n \u00a0<\/p>\n 16h45<\/strong> Cocktail de cl\u00f4ture<\/p>\n \u00a0<\/p>\n \u00a0Organisation<\/strong> :<\/p>\n Nicolas Chapeau (doctorant en litt\u00e9rature, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Romain Charbonnier (doctorant en histoire de l\u2019art, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Cl\u00e9ment Gr\u00e9au (doctorant en litt\u00e9rature, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Alice Grossi (doctorante en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Hala Habache (doctorante en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Justine Michon (doctorante en litt\u00e9rature, Universit\u00e9 Paris Cit\u00e9)<\/p>\n Eveline Su (doctorante en litt\u00e9rature, Universit\u00e9 Paris Cit\u00e9)<\/p>\n T\u00e9l\u00e9charger le programme en version PDF<\/a><\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″][et_pb_row _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n [\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ header_level=\u00a0\u00bbh4″ border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Journ\u00e9e doctorale du CERILAC 2026 \u00ab\u00a0L\u2019artiste en sa soci\u00e9t\u00e9. Pour un r\u00e9examen de la figure de l\u2019artiste engag\u00e9\u00a0\u00bb \u00a0Mercredi 17 juin 2026 UNIVERSIT\u00c9 PARIS CIT\u00c9 | Campus des Grands Moulins | La Halle aux Farines Salle 027C | Rez-de-chauss\u00e9e 10 rue Fran\u00e7oise Dolto ou 15 esplanade Pierre Vidal-Naquet, Paris 13e En 1948, dans Qu\u2019est-ce… Lire la suite Journ\u00e9e d’\u00e9tude doctorale \u00ab\u00a0L’artiste en sa soci\u00e9t\u00e9. Pour un r\u00e9examen de la figure de l’artiste engag\u00e9.\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":9304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,1,70,22],"tags":[],"coauthors":[68],"class_list":["post-9301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-cerilac","category-evenement","category-journee-detude"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/9301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=9301"}],"version-history":[{"count":4,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/9301\/revisions"}],"predecessor-version":[{"id":9308,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/posts\/9301\/revisions\/9308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media\/9304"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=9301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=9301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=9301"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/cerilac\/wp-json\/wp\/v2\/coauthors?post=9301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00c0<\/span> lire aussi<\/h2>\n