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International one-day symposium,\u00a0Friday,\u00a0April 3rd, 2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Between the seventeenth and early twentieth centuries, dream representations in China and Japan made extensive use of speech balloons. Typically, a character has a dream that is represented within a balloon. However, many examples do not fully conform to this pattern, as it can vary depending on the type of dream or psychic phenomenon being depicted. What exactly does the balloon contain? What forms does it take? How does it interact with other delimiting devices, such as clouds? What similarities can be identified among China, Japan, and the West?<\/p>\n
This international one-day symposium is the second event organized within the\u00a0Histoires de bulles<\/em>\u00a0program (CRCAO, East Asian Civilizations Research Centre, 2025\u20132029), which aims to study the speech balloon as an object of knowledge, both in terms of its intrinsic characteristics and its visual and broader cultural ecosystem, with the ultimate goal of identifying an \u201ceconomy of the balloon\u201d and perhaps even sketching the outlines of a general theory.<\/p>\n Website : https:\/\/www.crcao.fr\/recherche\/formes-du-texte-usages-de-limage-dans-les-livres-japonais\/?lang=en<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_toggle _builder_version=\u00a0\u00bb3.22.1″ title=\u00a0\u00bbProgram\u00a0\u00bb]<\/p>\n 09:30-09:45. Coffee and tea<\/strong><\/p>\n 09:45-10:00. Marianne Simon-Oikawa (Universit\u00e9 Paris Cit\u00e9): opening remarks<\/strong><\/p>\n \u00a0<\/strong><\/p>\n Morning session<\/strong><\/p>\n Chair: Annick Horiuchi (Universit\u00e9 Paris Cit\u00e9)<\/strong><\/p>\n 10:00-10:45. Vincent Durand-Dast\u00e8s (Inalco): Dream Balloons in Late Imperial Chinese Books’ Illustrations: A Tentative Typology<\/strong><\/p>\n Narratives from late imperial China, such as novels, dramas, and religious anecdotes, contain a significant number of dream scenes. These can be broadly classified into three main types: dreams forecasting glory (usually success in the imperial examinations) or failure; \u201cspring dreams\u201d (chunmeng<\/em>), in which frustrated lovers dream of each other; and \u201chell dreams\u201d (yinmeng<\/em>), in which the protagonist makes a night-long visit to the Netherworld. We will demonstrate how these different narrative types give rise to different kinds of images in late imperial Chinese books, in which the dreamer may be situated either inside or outside the \u201cdream balloon,\u201d and the protagonists may meet or part within it.<\/p>\n <\/p>\n 10:45-11:30.\u00a0<\/strong>Marie Laureillard (University Paris Nanterre): Dream Balloons in the Illustrations of\u00a0Liaozhai zhiyi<\/em>: From Early Editions to\u00a0Lianhuanhua<\/em><\/strong><\/p>\n Written by Pu Songling (1640\u20131715) between the late seventeenth and early eighteenth centuries,\u00a0Strange Tales from a Chinese Studio<\/em>\u00a0(Liaozhai zhiyi<\/em>) gives central importance to dreams, visions, and illusions, as evidenced by stories such as \u201cThe Wolf\u2019s Dream\u201d (Meng Lang<\/em>). This paper examines the visual representation of these dreamlike states through a corpus of illustrated editions (engraved or painted) produced during the Qing dynasty and extending into the Republican period, as well as later\u00a0lianhuanhua<\/em>\u00a0adaptations.<\/p>\n The graphic devices used to depict dream spaces will be examined in detail, including distinctive frames, vaporous motifs, and ambiguous spatial continuities. The illustrations of the\u00a0Liaozhai zhiyi<\/em>\u00a0display great formal and semantic diversity in these \u201cdream balloons\u201d: some are delimited by cloud-like contours, while others are defined by smooth lines. The element linking them to the character \u2014 what may be termed an \u201coneiric tail\u201d or \u201cconnective loop\u201d \u2014 may be twisted, coiled, or simply left plain. These graphic variations refer not only to dreams in the strict sense, but also to a variety of mental and narrative states, including visions, hallucinations, spiritual revelations, imaginary projections, and liminal spaces between the real and the supernatural. I therefore propose a classification based on both iconographic criteria (shape, contour, and type of linkage) and semantic and narratological criteria. This approach makes it possible to distinguish among the different modes of representing interiority and the supernatural that are specific to the\u00a0Liaozhai<\/em>\u00a0aesthetic.<\/p>\n 11:30-12:00. Q&A<\/strong><\/p>\n \u00a0<\/strong><\/p>\n Afternoon session<\/strong><\/p>\n Chair: Laura Moretti (University of Cambridge, Faculty of Asian and Middle Eastern Studies)<\/strong><\/p>\n 13:30-14:15. Marianne Simon-Oikawa: Representing the Handan Dream in Early Modern Japanese Visual Culture<\/strong><\/p>\n Among depictions of dreamers in Japanese visual culture, many refer directly or indirectly to a Chinese story: the Yellow Millet Dream, also known as the Handan Dream. The story concerns a young man who hopes to take part in the imperial examinations in order to achieve glory. While staying at an inn, he falls asleep and dreams of a lifetime of ups and downs. When he wakes, he realizes that his dream lasted only a few minutes. Numerous representations \u2014 variations and reinterpretations of this archetypal story \u2014 depict dreams that last only a moment, from\u00a0Kinkin sensei ega no yume<\/em>\u00a0by Koikawa Harumachi (1775) to\u00a0Miru ga toku issui no yume<\/em>\u00a0by H\u014dseid\u014d Kisanji (1781), to name but a few examples. Balloons are frequently used in these books. We will analyze their forms and functions, defining their specificity through comparison with a range of examples drawn from other books and prints.<\/p>\n \u00a0<\/strong><\/p>\n 14:15-15:00. Julie Nelson Davis (University of Pennsylvania): Haunted Dreams: The Nightmare in Edo Prints and Illustrated Books<\/strong><\/p>\n When sleepers dream in Edo-period prints and illustrated books, their dream balloons often represent scenes of good fortune and wish fulfillment. To dream of Mt. Fuji, falcons, and eggplants foretold an auspicious year to come and was a commonly referenced scene in ukiyo-e sheet prints. Other prints show dream balloons where the sleeper\u2019s deepest desires are fulfilled in prosperity as well as in matrimony. Yet scary dreams of monsters, shapeshifters, and things that go bump in the dark are much rarer. In this presentation, we will consider the aesthetics of the nightmare, its iconographical references, and the potential of the dream balloon to function as a space of parody and social inversion. Through selected examples, we will attend to the different ways that the nightmare was presented in sheet prints and illustrated books as well as to the problem of when monstrous parody went too far and had to be suppressed.<\/p>\n 15:00-15:30. Q&A<\/strong><\/p>\n \u00a0<\/strong><\/p>\n 15:30-15:45. Florence Dumora (Universit\u00e9 Paris Cit\u00e9): Counterpoint: Dreams and Balloons in the West<\/strong><\/p>\n [\/et_pb_toggle][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_divider color=\u00a0\u00bb#ffffff\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ saved_tabs=\u00a0\u00bball\u00a0\u00bb][\/et_pb_divider][et_pb_button button_url=\u00a0\u00bbhttps:\/\/u-paris.fr\/lcao\/wp-content\/uploads\/sites\/39\/2026\/02\/Dream-Balloons-in-China-and-Japan-A2-WEB.jpg\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbSee the program\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb admin_label=\u00a0\u00bbbouton – ajouter le lien vers la page\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#8a1538″ button_border_width=\u00a0\u00bb2″ button_border_color=\u00a0\u00bb#8a1538″ button_border_radius=\u00a0\u00bb26″ button_icon=\u00a0\u00bb%%20%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ custom_css_after=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb background_layout__hover_enabled=\u00a0\u00bbon\u00a0\u00bb background_layout__hover=\u00a0\u00bblight\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#ffffff\u00a0\u00bb button_icon_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_icon_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_text_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb custom_css_after__hover_enabled=\u00a0\u00bbon\u00a0\u00bb custom_css_after__hover=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb][\/et_pb_button][et_pb_divider color=\u00a0\u00bb#ffffff\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″ saved_tabs=\u00a0\u00bball\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ header_2_text_align=\u00a0\u00bbjustify\u00a0\u00bb background_color=\u00a0\u00bbrgba(242,240,239,0.52)\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb custom_margin=\u00a0\u00bb1px|1px|1px|10px\u00a0\u00bb custom_padding=\u00a0\u00bb1px|1px|1px|10px\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ saved_tabs=\u00a0\u00bball\u00a0\u00bb]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.22″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ header_level=\u00a0\u00bbh4″ border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" International one-day symposium,\u00a0Friday,\u00a0April 3rd, 2026 \u00a0 \u00a9\u00a0 Presentation Between the seventeenth and early twentieth centuries, dream representations in China and Japan made extensive use of speech balloons. Typically, a character has a dream that is represented within a balloon. However, many examples do not fully conform to this pattern, as it can vary depending on… Lire la suite Dream Balloons in China and Japan<\/span><\/a><\/p>\n","protected":false},"author":237,"featured_media":29732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[41],"tags":[],"coauthors":[34],"class_list":["post-29729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/posts\/29729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/users\/237"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/comments?post=29729"}],"version-history":[{"count":6,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/posts\/29729\/revisions"}],"predecessor-version":[{"id":29739,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/posts\/29729\/revisions\/29739"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/media\/29732"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/media?parent=29729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/categories?post=29729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/tags?post=29729"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/lcao\/wp-json\/wp\/v2\/coauthors?post=29729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Contacts<\/strong><\/h4>\n
Location:\u00a0Room Fran\u00e7oise H\u00e9ritier, Coll\u00e8ge de France, 11 place Marcelin-Berthelot, 75231 Paris cedex 05<\/h5>\n
The event will be held in person with a virtual attendance option (link provided upon request)<\/h5>\n
Contact (information and Zoom link:\u00a0marianne.simon-oikawa@u-paris.fr<\/a>)<\/h5>\n
Event organized with the support of the East Asian Civilizations Research Centre (CRCAO)<\/h5>\n
\u00c0<\/span> lire aussi<\/h2>\n