{"id":55761,"date":"2025-03-25T18:20:40","date_gmt":"2025-03-25T17:20:40","guid":{"rendered":"https:\/\/u-paris.fr\/societes-humanites\/?p=55761"},"modified":"2025-03-25T18:20:57","modified_gmt":"2025-03-25T17:20:57","slug":"les-heroines-de-la-modernite-mauvaises-filles-et-psychanalyse-materialiste","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/societes-humanites\/les-heroines-de-la-modernite-mauvaises-filles-et-psychanalyse-materialiste\/","title":{"rendered":"Les h\u00e9ro\u00efnes de la modernit\u00e9 – Mauvaises filles et psychanalyse mat\u00e9rialiste"},"content":{"rendered":"

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Laurie Laufer est professeure de psychopathologie clinique et de psychanalyse, directrice de l\u2019Institut Humanit\u00e9s, Sciences et Soci\u00e9t\u00e9s (IHSS) et membre du du Centre de recherche psychanalyse, m\u00e9decine et soci\u00e9t\u00e9 (CRPMS).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/u-paris.fr\/societes-humanites\/wp-content\/uploads\/sites\/20\/2025\/03\/laurie-laufer-avril-2025.jpg\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

La m\u00e9decine, la psychiatrie et la psychanalyse ont, depuis le XIXe si\u00e8cle, produit nombre de discours savants sur les paroles, les corps, les sexualit\u00e9s et les comportements des femmes. Diagnostics, m\u00e9dicalisation, pathologisation ont servi \u00e0 les assigner \u00e0 des r\u00f4les genr\u00e9s et \u00e0 maintenir les hi\u00e9rarchies et les normes sociales. Pour ces \u00a0\u00bb experts \u00ab\u00a0, les lesbiennes sont malades, les prostitu\u00e9es sont folles, celles qui refusent d’\u00eatre m\u00e8res sont anormales, les femmes qui avortent sont amorales, les jeunes filles libres sont d\u00e9s\u00e9quilibr\u00e9es. Elles sont toutes hyst\u00e9riques, m\u00e9lancoliques, psychotiques, perverses.
Mais que font ces \u00a0\u00bb mauvaises filles \u00a0\u00bb de ce que l’on a fait d’elles, de ce que l’on a dit d’elles ? Elles racontent des histoires diff\u00e9rentes. Elles \u00e9crivent et parlent de leur libert\u00e9. Elles arrachent les camisoles et, ensemble, se soul\u00e8vent. Les Madeleine Pelletier, Natalie Clifford Barney, Virginia Woolf, Monique Wittig, Wendy Delorme et toutes celles que nous rencontrons dans ce livre se sont fray\u00e9 un chemin en d\u00e9pit des r\u00e9sistances et du m\u00e9pris. Refusant d’\u00eatre objets de discours, elles ont pris des voies tortueuses, d\u00e9tourn\u00e9es, jusqu’\u00e0 risquer leur vie pour d\u00e9ployer une libert\u00e9 \u00e9rotique, po\u00e9tique et politique.
Comment l’inventivit\u00e9 de ces h\u00e9ro\u00efnes de la modernit\u00e9 peut-elle inspirer la psychanalyse ? Il s’agit, dans ce livre, de penser une psychanalyse qui entende enfin les conditions de vie des \u00a0\u00bb mauvaises filles \u00a0\u00bb et prenne en compte les dispositifs sociaux qui les oppressent. Car l’inventivit\u00e9 de ces h\u00e9ro\u00efnes de la modernit\u00e9 pourrait bien inspirer la psychanalyse et l’aider \u00e0 redevenir, enfin, une pratique de la libert\u00e9.<\/p>\n

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