{"id":8713,"date":"2026-06-24T10:00:25","date_gmt":"2026-06-24T08:00:25","guid":{"rendered":"https:\/\/u-paris.fr\/universite-ouverte\/?p=8713"},"modified":"2026-10-07T09:39:39","modified_gmt":"2026-10-07T07:39:39","slug":"lopera-de-giuseppe-verdi-et-richard-strauss","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/universite-ouverte\/lopera-de-giuseppe-verdi-et-richard-strauss\/","title":{"rendered":"L\u2019op\u00e9ra de Giacomo Puccini et Richard Strauss"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″][et_pb_row custom_margin=\u00a0\u00bb||80px\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ header_font=\u00a0\u00bb||||||||\u00a0\u00bb header_3_font=\u00a0\u00bb||||||||\u00a0\u00bb header_3_text_color=\u00a0\u00bb#000000″ custom_margin=\u00a0\u00bb||-1px|||\u00a0\u00bb]<\/p>\n

Trouver une formation<\/h3>\n

[\/et_pb_text][et_pb_search show_button=\u00a0\u00bboff\u00a0\u00bb placeholder=\u00a0\u00bbCours, cycles, th\u00e9matique, discipline…\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ input_font=\u00a0\u00bb||||||||\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb border_radii=\u00a0\u00bbon|36px|36px|36px|36px\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ custom_padding=\u00a0\u00bb15px||15px||true\u00a0\u00bb][\/et_pb_search][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ module_class=\u00a0\u00bbtitre_cours\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″][et_pb_row _builder_version=\u00a0\u00bb3.22.1″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_post_title author=\u00a0\u00bboff\u00a0\u00bb date=\u00a0\u00bboff\u00a0\u00bb comments=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ meta_font=\u00a0\u00bb||||||||\u00a0\u00bb][\/et_pb_post_title][et_pb_text admin_label=\u00a0\u00bbNom pr\u00e9nom\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Claire Paolacci<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ module_class=\u00a0\u00bbcontenu_cours\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ custom_margin=\u00a0\u00bb48px||\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″][et_pb_row _builder_version=\u00a0\u00bb3.22.1″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_text admin_label=\u00a0\u00bbdate et horaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ header_4_text_color=\u00a0\u00bb#000000″ z_index_tablet=\u00a0\u00bb500″ custom_css_main_element=\u00a0\u00bbfont-size: 18px\u00a0\u00bb]<\/p>\n

Cours de 24 heures, 12 s\u00e9ances de 2 heures
Lundi 14h30-16h30
A partir du 5 octobre 2026<\/h4>\n

Campus Grands Moulins, 5 rue Thomas Mann Paris 13e<\/em><\/a>
Ce cours est uniquement propos\u00e9 en pr\u00e9sentiel.<\/p>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbr\u00e9sum\u00e9 du cours\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″]<\/p>\n

\n

Grandes figures de l\u2019op\u00e9ra de la fin du XIXe et du d\u00e9but du XXe si\u00e8cle, Giacomo Puccini (1858-1924) et Richard Strauss (1864-1949) ont perp\u00e9tu\u00e9 et renouvel\u00e9 un genre parfois consid\u00e9r\u00e9 comme d\u00e9suet par leurs contemporains. S\u2019ils s\u2019inscrivent tous deux dans les grandes traditions lyriques italiennes et allemandes, ils ouvrent de nouvelles perspectives \u00e0 l\u2019op\u00e9ra. Puccini, c\u00e9l\u00e8bre pour ses ouvrages pour beaucoup devenus embl\u00e9matiques, n\u2019en a compos\u00e9 que douze en quarante ans de carri\u00e8re dont la plupart sont aujourd\u2019hui encore au r\u00e9pertoire de toutes les grandes maisons lyriques mondiales, tels La Boh\u00e8me<\/i>, Tosca<\/i> et Madama Butterfly<\/i>. Tandis que Strauss, appr\u00e9ci\u00e9 \u00e9galement pour ses po\u00e8mes symphoniques, reste principalement connu pour ses trois \u0153uvres lyriques r\u00e9guli\u00e8rement \u00e0 l\u2019affiche, Salom\u00e9<\/i>, Elektra<\/i> et Rosenkavalier<\/i>.<\/p>\n

\n

Giacomo Puccini (1858-1924)<\/b><\/p>\n

1. <\/span>Manon Lescaut<\/i><\/span> (1893)<\/span><\/p>\n

2. <\/span>La Boh\u00e8me<\/i><\/span> (1896)<\/span><\/p>\n

3. <\/span>Tosca<\/i><\/span> (1900)<\/span><\/p>\n

4. <\/span>Madama Butterfly<\/i><\/span> (1904)<\/span><\/p>\n

5. La Fanciulla del West<\/i> (1910)<\/p>\n

6. Gianni Schicchi,<\/i> troisi\u00e8me volet d\u2019Il Trittico<\/i> compos\u00e9 \u00e9galement d\u2019Il Tabarro<\/i> (La Houppelande<\/i>) et Suor Angelica<\/i> (S\u0153ur Angelica<\/i>) (1918)<\/p>\n

7. <\/span>Turandot<\/i> (1926, post mortem<\/i>)<\/p>\n

Richard Strauss (1864-1949)<\/b><\/p>\n

1. Salom\u00e9<\/i> (1905) et Intermezzo<\/i><\/span> (1924)<\/span><\/p>\n

2. Elektra<\/i> (1906-1908) et <\/span>Ariadne auf Naxos<\/i><\/span> (1912)<\/span><\/p>\n

3. <\/span><\/span>Der Rosenkavalier<\/i><\/span><\/span> (<\/span><\/span>Le Chevalier \u00e0 la rose<\/i><\/span>) (1911)<\/span><\/p>\n

4<\/span>. <\/span>Die Frau ohne Schatten (La Femme sans ombre<\/em>) (1910-17)<\/p>\n

5. Arabella<\/em> (1933) et Capriccio <\/em>(1942)<\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbtitre biographie\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″]<\/p>\n

BIOGRAPHIE<\/strong><\/p>\n

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\n

Historienne et musicologue, Claire Paolacci<\/strong> est professeur d\u2019histoire de la musique, de la danse et du spectacle au Conservatoire \u00e0 Rayonnement R\u00e9gional de Saint-Maur-des-Foss\u00e9s. \u00c9galement conf\u00e9renci\u00e8re au Mus\u00e9e de la musique (Philharmonie de Paris) et enseignante au rectorat de Caen, elle poursuit ses recherches sur l\u2019Op\u00e9ra de Paris dans une approche comparatiste, politique, diplomatique, administrative et artistique ainsi que sur les liens entre musique et danse. Elle a publi\u00e9 Les Danseurs mythiques<\/em>\u00a0(\u00e9d. Ellipses, 2015), Danse et Musique<\/i> (\u00e9d. Fayard-Mirare, 2017) et Jacques Rouch\u00e9 et l’Op\u00e9ra de Paris de la Grande Guerre \u00e0 la Lib\u00e9ration<\/i> (Sobonne Universit\u00e9 Presses, IReMus, 2025), laur\u00e9at du Prix du Jury France Musique Claude Samuel 2026.<\/p>\n<\/div>\n

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\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb40,44″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_categories=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ header_level=\u00a0\u00bbh4″ border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Claire Paolacci
\nCours de 24 heures
\nLundi 14h30-16h30
\nA partir du 5 octobre 2026 Lire la suite L\u2019op\u00e9ra de Giacomo Puccini et Richard Strauss<\/span><\/a><\/p>\n","protected":false},"author":585,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[30,10],"tags":[],"coauthors":[163],"class_list":["post-8713","post","type-post","status-publish","format-standard","hentry","category-musique","category-sciences-humaines"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/users\/585"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/comments?post=8713"}],"version-history":[{"count":9,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8713\/revisions"}],"predecessor-version":[{"id":10132,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8713\/revisions\/10132"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/media?parent=8713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/categories?post=8713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/tags?post=8713"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/coauthors?post=8713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}